Series Analysis: Power Rangers Dino Fury

 

POWER RANGERS DINO FURY (2021-23)

Adapted from Kishiryu Sentai Ryusoulger and Uchu Sentai Kyuranger

Hasbro Era

It began in the 1990's when the Mighty Morphin' Power Rangers exploded onto the scene with their Dinozords. The most popular Ranger of that team would return in the 2000's to mentor a new generation with Power Rangers Dino Thunder. We travelled to another dimension in the 2010's to see the battles of the Power Rangers Dino Charge. Which brings us to the 2020's with Power Rangers Dino Fury. It's very clear the franchise loves dinosaurs, and it feels very fitting that the continuity that started over 30 years ago has seemed to have reached its conclusion...for real this time. In terms of execution, they went out on a high note and delivered the best entry in the franchise since Dino Charge and even exceeds that.

I should start by pointing out that I probably technically should be doing separate posts for Dino Fury and its third season, Cosmic Fury. Much like Mighty Morphin' did, this series goes past its own source material from Super Sentai and incorporates elements from an additional Sentai. The difference though is that while Mighty Morphin' built upon each season with how they mixed their Sentai roots, Cosmic Fury does feel like its own entity, especially since the villains Dino Fury started with were dealt with and a mostly new batch were introduced as the main threat. However, since I grouped all of Mighty Morphin' together back when I ranked every season up to Megaforce, I'm choosing to do the same when talking about Dino Fury and Cosmic Fury. Not only do characters and plotlines carry over, but the dinosaur motif for the Ranger outfits remains despite the change in the zords. So I may use Dino Fury as a whole unless specified.
And before I get into the meat of the series, I need to be picky about a few creative choices.
* "Dino Knights" (and by extension "Cosmic Knights") was right there when coming up with a team name since those were the main motifs for Ryusoulger. Apparently, that was an initial choice but Hasbro saw "Dino Fury" as more marketable.
* The theme song for Dino Fury is just as lazy as Beast Morphers', but thankfully more effort was put into Cosmic Fury where it feels like a more proper Power Rangers theme.
* The morphing call (if you can call it that) is the most boring one I can remember. They were basically just announcing their actions for the process. Granted, flipping their power orb into their Cosmic Fury morphers was a cool move.

The team building method was very similar to In Space (and I'll be making a lot of comparisons to that season in this post). We have an alien Red Ranger (Zayto) who's joined by Earthlings who take up the Ranger powers from his lost teammates and then later by a sixth Ranger from the previous team (Gold Ranger Aiyon) who was believed to be lost. Along with the aliens getting used to Earth customs, the other Rangers have good characters that bounce well off of each other. Pink Ranger Amelia Jones (I think someone on the writing staff was a Doctor Who fan) is openminded to the supernatural and paranormal while Blue Ranger Ollie is very scientific and always tries to find a logical explanation to situations; and in true "opposites attract", the two eventually become a couple and it happens naturally. The Garcia siblings also contrast in their interests with Black Ranger Javi being a musician and Green Ranger Izzy being a track star.
In Cosmic Fury, we see Amelia promoted to Red Ranger, the first female to wear the color in a main character capacity. While there were moments as the Pink Ranger that showed her leadership potential, Amelia really stepped up to keep the team motivated after Zayto goes missing in space and the Dino Fury powers are destroyed. With the creation of the Cosmic Fury powers, the Morphing Grid makes her red, a decision everyone assures her is earned.
In one episode of Dino Fury and a majority of Cosmic Fury, Ollie is turned evil/corrupted into working with the villains. Ollie's actor Kai Moya does a good job in playing a bad guy, with his initial superiority complex working well to make it feel natural compared to other times in the franchise where Rangers would get put under an evil spell and it would be so over the top (with some exceptions). Seriously, if Ollie hadn't joined the Rangers, he may have gone full Lex Luthor.

While all the Rangers are enjoyable to watch, I'd say my favorite is Javi. From his first appearance, he just has this natural likability and sincerity that reminded me of Adam.

Like Beast Morphers, Dino Fury has a lot of callbacks to Power Rangers history, with appearances by characters from past seasons, easter eggs, and direct clips/flashbacks. The most prominent example is Billy returning as the Mighty Morphin' Blue Ranger in a main character spot for Cosmic Fury. Compared to how Beast Morphers felt bogged down by this though, I think it makes more sense for Dino Fury to do this given its status as the final entry in the series and celebrating the 30th anniversary. And while many tropes the franchise is known for are present, the writing for Dino Fury is done so well that you can overlook them. There's a good balance of fun and drama with plenty of feel-good moments between the characters.

Much like with In Space and RPM, Dino Fury was being treated as the end of the series before it became official so it had a little extra effort put in. The move to Netflix beginning with season two helped with this, lifting some restrictions they may have had on a cable channel like Nickelodeon. It's still family friendly, but I found some of the language and violent imagery a little suggestive compared to what we've seen before with Power Rangers. The biggest example of this is Javi losing an arm activating the Cosmic Fury Zords while under fire from the enemy. We've seen Rangers die and come back (hell, it happens to Zayto twice), but seeing a Ranger maimed like that was pretty shocking.
While Dino Fury has a traditional Power Rangers tone, Cosmic Fury takes things in a darker direction much like In Space did to what came before, particularly in the beginning with the villains having the Rangers on the run after destroying their powers. It especially does well in capturing the tone of In Space's two-part finale "Countdown to Destruction", something Megaforce tried and failed to do. And on that note, when a character from the past says something along the lines of being honored to work with the Dino Fury Rangers, it doesn't feel forced.

It's worth noting these are probably the most progressive years for the franchise. We have a character with an intellectual disability in Javi and Izzy's cousin Lily, who has CHARGE syndrome. I really liked that they don't make a big deal about it; she's happy with who she is and always wanting to help her family and others. And of course, we have a major milestone with our first LGBTQ+ Ranger in Izzy, with her girlfriend Fern joining the team in Cosmic Fury as the Orange Ranger. Their relationship feels as organic as other prominent ones in the franchise; love is love, people.

The main source of comedic relief are the Rangers' boss at the Buzzfeed like company they work/hang out at, Jane, and her android assistant J-Borg. Most of the time, their antics don't play much into the main plot, similar to Bulk and Spike's bits in Samurai. They actually kind of reminded me of the Mads from Mystery Science Theater 3000. That being said though, I like that Jane isn't a mean boss or an idiot where the slapstick feels deserved. She's genuinely a good if silly boss who knows how to run a business and wants everyone to have fun too.

The main villain at the beginning of the series is Tarrick, the Void Knight. His motivation is very much like Mr. Freeze, wanting to revive his cryogenically frozen wife Santaura using the power of the Sporix beasts (the name for the monsters of the day); it's actually kind of cool to see a villain not motivated by power or revenge. Though he does succeed in reviving her, Santaura's ambition outshines Tarrick's as she wants to destroy humanity for the pain they've endured on Earth. She uses more Sporix energy to transform into the Void Queen and brainwashes Tarrick to obey her after he attempts to work with the Rangers to stop her violent crusade. There's also a twist in their identities that I won't spoil here. You can see it coming if you're paying attention to the clues but I like that it's not telegraphed, being done in a way where the reveal moment is still impactful.
Along with robot generals the Voids build to aid them, they're also assisted by a Sporix beast named Mucus through the series. She reminds me a bit of Harley Quinn when she first appeared in Batman: The Animated Series, silly but wanting to earn her boss's respect. She was a fun character to me.
Much like Venjix in Beast Morphers, we have the return of another main villain from the past in a prominent capacity: Lord Zedd. After having his evil essence resurrected by a Sporix beast and placed under its control, Zedd breaks free and escapes to plot. He would return for a multi-episode arc in season two and become the main villain for Cosmic Fury. Bringing Zedd back was a great move in my opinion, especially when you see the significance of the first American-made villain being the series' final boss. The threat of Zedd is sold well, that despite all the villains that came after him, he's still a force to be reckoned with. Zedd's original voice actor, Robert Axelrod, unfortunately passed away in 2019, so Zedd's voice would be provided by Andrew Laing in Dino Fury and Fred Tatasciore in Cosmic Fury. While it would be impossible to match Axelrod's menacing tone, both Laing and Tatasciore give their all in trying to recreate it, even if the voice filter can feel off sometimes.
While Zedd is assisted by a new set of villain in Cosmic Fury, I really don't have much to say about them. Considering Cosmic Fury only had ten episodes, they honestly didn't have much impact on me compared to the forty-plus we had with the Voids and Sporix.

Overall, Dino Fury succeeds in its own right, as an anniversary season, and as the conclusion to the continuity that began with Mighty Morphin'. I've had a wild run with this show. I started watching as a kid, fell out of it, came back and nearly gave up a couple times. Power Rangers has endured for three decades and it's hard to believe it's finally reached its end.

True, Netflix is rebooting the franchise with a 2025 target date, but between the end of the Toei partnership and moving production out of New Zealand where they've filmed since Ninja Storm, it's truly the end of an era. It's tough to say whether they'll redo Mighty Morphin' like the 2017 film did or if they'll do an entirely original premise independent from Super Sentai. I'll have to wait for more info on it and see if it piques my interest.
Before I leave my final seasons rankings, to my fellow Ranger fans who've been along for any part of the journey the last thirty years, may the power protect you.

My Rankings of Power Rangers Seasons:

21. Megaforce

20. Operation Overdrive

19. Turbo

18. Samurai

17. Ninja Storm

16. Wild Force

15. Beast Morphers

14. Ninja Steel

13. Dino Charge

12. Zeo

11. Dino Fury

10. SPD

9. Lightspeed Rescue

8. Mystic Force

7. Lost Galaxy

6. Jungle Fury

5. Dino Thunder

4. Mighty Morphin'

3. In Space

2. Time Force

1. RPM

Movie Review: "Teenage Mutant Ninja Turtles: Mutant Mayhem"

 

Some franchises have such longevity because they revitalize themselves every decade, bringing the concept into a then-modern setting that allows them to be different from before and add something new to enjoy. Teenage Mutant Ninja Turtles is one such franchise, specifically their animated adaptations. From the late 80's/90's series to the 2003 and 2012 versions, the past three decades have had their own Turtles kids could grow up with; and even if you've watched all three, you can see how each have their merits that any could be someone's favorite. The 2020's begin the cycle again with the film "Mutant Mayhem". In addition to being declared the best TMNT film by a wide margin (and I totally agree with the sentiment), we can bid welcome to the Turtles for a new generation that can also be enjoyed by the older ones.

A good way to look at "Mutant Mayhem" is kind of like a "Year One" story. While we see the Turtles here trained in martial arts and their iconic weapons, it takes them awhile to get in the groove of battle since they've been sheltered their whole lives and never been in a real fight. This plays well with the big draw the film has compared to past adaptations, that being more emphasis on the "Teenage" part of the title than ever before. In addition to giving the Turtles real teenage problems like dealing with an overbearing parent and trying to find their place in the world, actual teenagers voice the characters for the first time ever. The cast recorded their lines together and would improvise things that made it into the film, giving the brothers such natural dialogue and feel like their age. It even makes the pop culture references not feel so forced; they're teenagers in 2023, of course they'd be making these references.
Joining these fresh faces is a good cast of established actors who bring just as much fun to the film, including Paul Rudd as Mondo Gecko, Rose Byrne as Leatherhead, Natasia Demetriou as Wingnut, and Jackie Chan as Splinter. Ayo Edebiri and Ice Cube also do well as April and main villain Superfly, respectively. April fits right in with the Turtles while Superfly initially gives them a sense of belonging before he goes full Magneto.

"Mutant Mayhem" uses the same animation style as the "Spider-Verse" films, which naturally ensures some dynamic action scenes. To help it stand out though, I notice they give it a gritty and scratchy style that evokes the original TMNT comics. There's even some nice artistic choices of including stray pencil/marker lines and painted looking backgrounds. And while it's in 3D, there were times where the movement and character designs kind of reminded of stop motion films, with "ParaNorman" the one most springing to mind.

Without going into spoilers, this film takes the Turtles in a very different direction some may be used to. But like I said, new interpretations need to do something different from before while still maintaining the spirit of the franchise. "Mutant Mayhem" does that and Paramount and Nickelodeon are going all in with this version; along with a sequel being greenlit, an animated series and video game are also in the works. All in all, it's a safe bet that the Turtles have a bright future ahead of them.

TV Review: Echo - The New Defender

 

2023 was a rough year for Marvel Studios, as I explained in my review for "The Marvels". 2024 was looking to continue said rough patch with the first project of the year, "Echo." Along with reports of a troubled production, the Disney+ series was breaking the pattern by only having five episodes rather than six or nine and dropping all episodes at once rather than weekly; it seemed they were just throwing it out there to rip off the band-aid of another dud. As it turned out though "Echo" is the shot in the arm Marvel has been in need of.

As part of Marvel revitalizing their plans, "Echo" is the first series to be released under the "Marvel Spotlight" banner, designed to tell grounded stand-alone stories. Based on what we've seen with this series, this could be Marvel's way of bringing back the type of tone not seen since the Netflix line of series. Being the first TV-MA rated production from Marvel Studios, "Echo" breaks the mold and evoked the same feelings I had when "Daredevil" first began nearly a decade ago. The grittiness and ultra violence that helped each Defender series stand out has returned here, giving us some down and dirty action that will get your heart pounding; there's even a long tracking shot involving Daredevil in the first episode. While Marvel Studios has delivered (mostly) great series, "Echo" shows they can stray from the family friendly tone and still deliver the goods.
The release strategy was probably beneficial as well. This was a story that needed to be told all together (another Netflix comparison), and much like season two of "Iron Fist", cutting the episode count down shows they know when a story doesn't need to be stretched out if there's no substance.

Reprising her debut role in "Hawkeye", Alaqua Cox shines as Maya Lopez. As a deaf actress and character, she does so well at conveying her feelings and emotions without saying a word. It's rare for a movie or series to have a main character like that, but it's nonetheless easy to become invested in her. I especially like the moments where all the sound goes away to experience things from Maya's perspective, which seems to happen during pivotal moments such as her (presumably) first kill.
What makes Maya's arc so interesting is that she's not initially heroic. Her goal at the start is to usurp control of Kingpin's criminal empire and she doesn't seem to care about putting her family in the crossfire to achieve that. As the series goes on though, Maya learns to break free from Kingpin's influence and embrace not just her living family, but her ancestors. Like their projects with diverse leads before, Marvel once again does a great job at portraying cultural heritage, this time showcasing Maya's Native American roots; it plays a part in her powers manifesting as well as receiving her "supersuit" and the Echo codename in the final episode.
Maya's interactions with her family are enjoyable as well, with good performances from each actor in their respective role. They also each played an important part of the series' climax, further cementing the theme of familial bonds; the grandfather (played by Graham Greene) isn't present for that, but he's still a great character throughout the series.

Vincent D'Onofrio still casts a terrifying presence as Wilson Fisk. The series dives deeper into his father figure role to Maya, evoking a Thanos/Gamora like relationship. He cares for her and will go to any lengths to protect her, but goes to even greater lengths to avenge her betrayal. Looking to the future with projects like "Daredevil: Born Again" and "Spider-Man 4", Marvel is definitely building Kingpin to be a street-level Thanos, making my earlier comparison apt. The post-credits scene sets the stage for that, though I feel they'll be somewhat retreading ground from season three of "Daredevil."

"Superhero fatigue" may be affecting some, but "Echo" will give fans of all kinds a unique character along with what's been missing from Marvel lately. If you're a fan of what came before from Netflix and wanting something new of that variety, "Echo" should sate your appetite.

Movie Review: Aquaman and the Lost Kingdom - Last Gasp

 

The end of 2023 also sees the end of the DC Extended Universe with "Aquaman and the Lost Kingdom". I still think the first Aquaman film was the best entry of the DCEU, but I was entertained with its sequel, even though they seemed to play it safe for the most part.

In a way, it's more of the same from the last film. There's no major new character additions, at least not ones that are fully fleshed out. Though I will say a lot of the returning cast still turn in good performances, particularly Jason Momoa's Aquaman. I really enjoyed seeing him as a father and how he's able to reconcile with his brother, Orm (played again by Patrick Wilson).
Anything new that is added doesn't feel fully original. I noticed a lot of story beats and imagery reminiscent of Taika Waititi's Thor films. They even seem to go for "Star Wars under water" vibes with Black Manta (played again by Yahya Abdul-Mateen II) getting an elaborate ship with crew members in uniform ala Darth Vader commanding a Star Destroyer and a Jabba's Palace like scene with Martin Short playing the Jabba like character.

The CGI in the film is about half and half. Most of the time it looks good with great imagery that once again leans into director James Wan's horror style. Other times though things don't look fully rendered, like how some bodies look rubbery during the action scenes. And I don't know if it was a theater issue, but there were a couple scenes under water when characters are talking where they seem to shake, like there was a glitch they didn't catch before release.

For the most part, the climax was fun. I enjoyed the action and I could swear the part with the whales was somehow a callback to a joke from the first season of Dragon Ball Z Abridged. The only gripe I have with it is the big bad seemed to be beat a little too easy after all the build up to what a threat he was.
While the film doesn't give a grand finale to the DCEU, it at least brings Arthur's story some closure. The character gets a happy ending and accomplishes the goals his loved ones hoped for him.

After "Blue Beetle", I'd say "Aquaman and the Lost Kingdom" is the second best DC film this year. It's not groundbreaking like the first film, but there's still some entertainment value that allows the King of Atlantis to go out on a good note and the DCEU on an okay one.

Changing of the Doctor Part Three: Tennant Redux (SPOILERS)

 

Another year, another Doctor Who regeneration. It's happening a lot faster than usual, but these are of course special circumstances. For the franchise's 60th anniversary, David Tennant is back but now as the Fourteenth Doctor rather than reprising the Tenth for three special episodes. With him in tow is Russel T. Davies returning as showrunner after leaving the revival series' fourth season and Catherine Tate as companion Donna Noble.

Despite it looking like the franchise is backtracking with past cast and crew returning, these specials really do feel like a new era is beginning. It may have something to do with the series being broadcast outside the UK on Disney+, and the budget looks like it got a Disney sized increase. Regardless of that though, the first special alone works not just as a jumping on point for prospective fans but a reminder of why established fans love Doctor Who, particularly those like myself who Tennant was their first Doctor.
On that note, Tennant as well as Tate have not lost a step in their roles as the Doctor and Donna. Tennant especially still has the fun and emotional aspects that made his Doctor so endearing. Though I will honestly say I couldn't really see much in difference between Ten and Fourteen aside from the age difference, but I think that's the point.

While bringing back Tennant may feel like a stunt to reel in fans who stopped watching in the intervening time, there is a story reason for it. Way back in the "Day of the Doctor" 50th anniversary episode, the Tenth Doctor is referred to as "the one who regrets." While the Thirteenth Doctor had an unyielding optimism, it appears that the Doctor still had some issues they were avoiding. Regenerating back into a previous version that was fun but still felt things so deeply may have been the Doctor's subconscious way of facing them. This really starts in the second special with the Not-Things' taunting about him not knowing where he came from, referring to the Timeless Child revelation, and how the actions of the Fugitive Doctor lead to the events of the Flux and the loss of life that came of it. I was a little surprised they referenced back to that so early after Whittaker's time, though I feel they could have leaned into it more with an identity crisis aspect, like the Doctor doesn't know who he is going forward.
Of course, the other aspect of that taunt was the loss of life on the Doctor's watch, which goes harder in the last special with the return of the Toymaker, a villain he had faced way back as the First Doctor. In addition to the Flux, the Toymaker taunts him on the fates of Amy, Clara, and Bill during their times as companions. While the Doctor tries to give silver linings to these events, the Toymaker's retort of "Well that's alright then" adds on to the idea that the Doctor had been avoiding some heavy thoughts.

The battle with the Toymaker of course leads to the Doctor's next regeneration, which for the second time in a row is quite different from what came before:

First off, it's funny how another final episode with Tennant and Tate lead to another duplicate Doctor.
I don't think anyone saw this coming. The "bi-generation" not only adds to the surprise of a regeneration episode also being a Multi-Doctor episode, but it's an interesting concept that makes sense by the end of the story.
A big mystery through these specials is why the Doctor regenerated into a previous face. The idea of a "returning face" was used before with Peter Capaldi's Twelfth Doctor, who while feeling familiarity with his face didn't piece it together until he remembered the events of the Ten/Donna episode "The Fires of Pompeii", where Capaldi had a guest role prior to his tenure as the Doctor. That episode saw Donna plead with the Doctor to save at least one person as Mt. Vesuvius erupted, rescuing Caecilius (played by Capaldi) and his family. The Twelfth Doctor saw having a similar face to Caecilius as a reminder that he has an obligation to save people when he can. Now things have come full circle with Donna Noble's return and the Doctor having a face from his past. This time though, Donna posits that a familiar face returned because the Doctor needed to rest with loved ones beside him.
Of course, those who know the Doctor know he's not one to just sit still in one place for too long. Between learning of his time after their parting and how one thing after another keeps happening since their reunion, Donna realizes the Doctor just doesn't stop. This idea has been brought up before, how the Doctor stole his TARDIS, ran away from Gallifrey and just kept running. The bi-generation where the Fourteenth and Fifteenth Doctors co-exist is the best compromise. After making a duplicate TARDIS thanks to an after effect of the Toymaker's reality warping, the Fifteenth Doctor would continue to go on traditional Doctor Who adventures while the Fourteenth Doctor would settle in with Donna and her family, taking a much-needed break while a trip in his TARDIS now and then is implied.
If it's not obvious, the theme of mental health plays heavily here with the bi-generation designed to keep the Doctor from burning himself out. As his regeneration begins, Donna and classic era companion Mel are at his sides and promise to be there for the Doctor no matter how he changes. In the opposite of when Ten regenerated into Eleven, Fourteen is ready to go, which can be seen as the first step of him accepting help. In a way, Fourteen and Fifteen could be considered two halves of the same Doctor, especially with the bi-generation splitting the clothes between the two. Fourteen would still bear the trauma of his past and deciding to take the time to process it whereas Fifteen has the wide-eyed optimism needed for adventure while still keeping the memories and ideals that make him the Doctor.

Speaking of our new Doctor, I like what I've seen of Ncuti Gatwa so far. I think the best comparison I can make right now is that of Matt Smith's Eleventh Doctor. He has a youthful energy, seems wise beyond his years in terms of appearance of age, and appears more in touch with his emotions (which plays into the mental health aspect of the bi-generation). I'm looking forward to what more he brings to the role starting with this year's Christmas special.

However, I don't think this will be the last we've seen of Tennant's Fourteenth Doctor. I have a theory that when it's time for the next regeneration, Fourteen and Fifteen will have a final adventure together that will lead to them reassembling (as well as their TARDIS's) into what will be the Sixteenth Doctor, having memories of both adventure and relaxation. We'll just have to wait and see.

Comics Review: "The Riddler: Year One" - A Loaded Question Mark

 

One of many highlights of "The Batman" was Paul Dano's performance as the Riddler. To prepare for the role, Dano developed ideas for Riddler's backstory, which director Matt Reeves was impressed with so much that he arranged a meeting between Dano and DC to portray them in a comic book. This would lead to "The Riddler: Year One", a six issue miniseries published through DC's Black Label imprint that acts as a prequel directly leading into Reeves' film. As we wait for the sequel and spin-off shows, this miniseries helps tide us over by giving us more insight into the Dark Knight's enigmatic enemy.

This book was so enthralling that I had to read it all in one sitting. In the beginning, Edward Nashton was a forensic accountant with dangerously low self-esteem and suicidal thoughts, eventually discovering the Renewal conspiracy as we saw in the film. This comic goes into detail of Nashton's thought process as he lays out his plans to root out the corruption in Gotham and how his idolization of the Batman leads him to create his own masked persona. While I admittedly found some ideas here derivative of the Joker movie, the comic adds new layers to Dano's performance and the Riddler's goals and motivations, as well as a hint of sympathy.

Assisting Dano with artwork on the series is Stevan Subic, who does a great job at showing Nashton's point of view of the world and his memories. For the most part, the art style has a grittiness similar to "The Imposter" (which is an apt comparison given that book's own connections with the film). But the parts that really stand out are Nashton's dark thoughts not only seen in his own mind but also corrupting his view of the real world. It brings such a surrealness that evokes Dave McKean's artwork from the 1989 Arkham Asylum graphic novel and to some degree the animated segments of Pink Floyd's "The Wall".

The fourth and fifth issues of the series were true standouts to me.
Issue four flashes back to Nashton's life in the orphanage up to taking the forensic accountant job. This is where the surrealness of Subic's artwork does wonders, with a good use of dark and light colors and stylistic choices as we travel through Nashton's perceived memories.

For a majority of issue five, we sift through one of Nashton's journals like we're actually reading one of the binders found in his apartment. The further in you go by reading his feelings and how he's conceiving his plans, the more deranged the handwriting and drawings become. While it's easy to read it in Dano's voice, it's like you can even hear the inflections in his voice like in the movie just from how the words look written on the page. While I said I read this book in one setting, I actually had to take a few minutes to return to reality before moving on to the final issue. I know Dano had been inspired by serial killers in his performance, but the manifesto that was issue five alone shows just how dedicated he was to the role.

In conclusion, if you enjoyed "The Batman" and want to learn more about what drove Edward Nashton's crusade, "The Riddler: Year One" is a must-read. As you take a trip through this character's psyche, you'll gain even more appreciation for an already stellar performance.

Movie Review: The Marvels - Just Go With It

 

2023 hasn't been the best year for Marvel Studios. While "Guardians 3" and season two of "Loki" did well overall, "Quantumania" got a mixed response and "Secret Invasion" was a new low. Though it's a bit of a tennis match between the good and bad products, it's clear they're not the unstoppable juggernaut they once were and it appears with multiple projects being delayed that they're undergoing an overhaul which will hopefully rebuild confidence in the brand. With all these troubles, it's easy to understand why people are writing off "The Marvels", the sequel to 2019's "Captain Marvel" which sees Carol Danvers teaming up with Monica Rambeau and Kamala Khan/Ms. Marvel, with Brie Larson, Teyonah Parris, and Iman Vellani reprising their respective roles. While the overall response is mixed but more positive than "Quantumania", the box office hasn't been pretty and seen by some to be the deathblow to Marvel. But does "The Marvels" warrant such treatment? Is there anything of value to be found here? While I think there is, there are problems.

Right off the bat, the best thing about this movie is the chemistry between the three leads. Particularly during a training montage, you can tell the actresses were having a lot of fun on set. Their individual powers also play well off each other, making for some entertaining action scenes. I also like how the theme of hero worship was dealt with on different levels. While Monica looked up to Carol as a family member and eventually became disenchanted leading to a reconciliation., Kamala loves Captain Marvel in a celebrity sense (and her fangirl reactions are hilarious) and is getting to know her past a surface level. I'm just thankful on the latter that they avoid a whole "never meet your heroes" third act break-up.
On the flipside though, I didn't care for Zawe Ashton as the main villain, Dar-Benn. She's about as engaging as her fellow accuser, i.e. Lee Pace's Ronan in "Guardians 1", mixed with the scene chewing of Elizabeth Banks' Rita Repulsa.

I'm a bit mixed on the story.
They said going in they were going for a wacky tone, and along with standard Marvel comedy, they definitely weren't overselling. But it's not as bad as you'd think. It's the kind of wacky where you just have to roll with the punches and embrace how insane something is, whether it be a planet where the inhabitants communicate only in song or a horde of monster kittens swallowing people to save their lives (which is cute and terrifying).
On the bad side though, it does feel like there were portions cut from the film in order to keep it under two hours (which based on "Suicide Squad" and Joss-tice League is never a good sign). The main issue I found is that they kind of breeze through Carol's actions between her solo film and "Endgame" and doesn't delve deep enough into how it affected her.
The Marvels is also another victim of what I'm calling the "Disney+ crutch", where the series on the service are essential to understand the movie. While not as pivotal to the plot like "Multiverse of Madness", watching "WandaVision" and "Ms. Marvel" help add to the context of references made to them in the film. Again, not everyone streams, so you're leaving part of the audience out of the know. Like, it's fine to reference to other stories, but it has to be subtle. Marvel's done it between the films in the past; Falcon recruited Ant-Man in "Civil War" based a past interaction, but they didn't take you out of the main story to go into detail about their fight in the first Ant-Man movie. Please Marvel, when "Captain America 4" comes out, just show Sam established as the new Cap and get to the story at hand. And on a related note, one plot point in this movie also makes "Secret Invasion" even worse and shows that whole story was entirely avoidable.

Overall, The Marvels isn't the worst. I'd say it's just above "Iron Man 2" and "Thor: The Dark World". It's still entertaining with our lead characters and a unique kind of craziness. There are definitely issues present, but there's still fun to be had as well.