Friday, February 23, 2018

Analysis: Spider-Man (2017) Episodes 15-25



Last year, I took a look at the first half of episodes of the latest animated Spider-Man series. Overall, I found it to be a good modern take on the character and his mythos. The first season has just wrapped up, and I figured I'd do the same by sharing my thoughts on the remaining episodes. What's really unique about these episodes is that they're done as multi-parters: the 4 part "Rise of Doc Ock", the 5 part "Spider-Island", and 2 part "Hobgoblin". Though to be honest, all three connect in a way that all 11 episodes feel like it's one long story arc. So let's get started, and unlike my first analysis, this one's going to be spoiler heavy.

"Rise of Doc Ock", as the title suggests, is about Otto Octavius' progression from young teacher at Horizon High to the villainous Doctor Octopus. However, I don't think this set of episodes warranted a four parter, as the last half of episodes don't have as much focus on Ock.
In the first part, Otto is involved in an accident that bonds his robotic arms to his body. That's basic, for the character, but the show goes against the norm by first having Otto take a heroic path, working with both Peter and Miles (without actually learning their identities). This works out for them up until the second part, where due to Otto's superiority complex and Norman Osborn's manipulations, he ends his partnership with Spider-Man and quits Horizon High for Osborn Academy. The third part focuses more on Peter trying to convince Harry about the shady activities his father has been involved in (including orchestrating Harry's suspension from Horizon High at the beginning of the series). In the process, the Jackal attacks Osborn Academy with a mind controlled Rhino, who is stopped by the combined efforts of Spider-Man, Octavius, and other students and teachers at the Academy. In this encounter, Otto learns that Norman was attempting to recreate his robotic arms, and grows furious when he learns that since he signed with Osborn, anything he creates is OsCorp property.
I didn't mention the Jackal in my previous analysis because his impact was minor, but was left open for major development in the second half. The series makes quite a change from the comics version by making the Jackal Raymond Warren, and is also Gwen Stacy's uncle, and considering the connection Gwen and Warren had in the comics, this change makes it a lot less icky. But one thing that does remain the same with the character is he likes to make clones, if only of himself at the moment. While Spider-Man caught him very early in the season, another Warren was seen working with Spencer Smythe, who was surprised to see the first Warren in prison once he was caught himself. Both versions were revealed to be clones and self-destructed.
This leads to the conclusion of this arc, which involves Peter, Gwen, and Harry trying to discover Warren's secrets, eventually finding a secret lab he built under Midtown High, full of Jackal clones and the genetically engineered spiders he created (two of which were lost and bit both Peter and Miles, giving them their powers). This all comes to ahead when Norman arrives and confronts Jackal. In Norman's company is Octavius, Rhino, Vulture, Spider-Slayer (Alistair Smythe), and Steel Spider. Things don't go well for Norman though as Octavius betrays him, making a deal with Jackal to give him Osborn in exchange for Jackal's mind control technology. Otto finally rechristens himself Doctor Octopus and uses the Jackal's mind control tech to make his aforementioned teammates part of his Sinister Five.
On one hand, this introduction of the usually named Sinister Six kind of works with this version of Otto. He already showed he has trouble working with others in Peter and Miles, so using mind control takes out the middle man in using others to reach his goals. As for the combined group, it's okay. Classics like Rhino and Vulture makes sense, though it's redundant to have both Spider-Slayer and Steel Spider on the same team. If anything, they should have had Shocker fill Steel Spider's slot since he's more well known. And on another, mostly nit-picky note, Ock's final suit is blue, whereas I would have made it green, since that's his usual color.
The end of the episode leads to the lab being destroyed. As the villains make their escape, Spider-Man tries to keep Norman from being crushed by debris while Harry and Gwen are trapped. This leads to a surprising act of fatherly love from Norman as he pleads Spider-Man to save his son. Spidey saves Harry and Gwen, leaving Norman behind in a huge explosion. Given Harry's already established hatred for Spider-Man, this doesn't help things as he blames Spider-Man for his dad's death, despite Norman's self sacrifice. It's actually a really emotional scene, a far cry from the near lack of which was in Ultimate.

Now's a good time to talk about Norman's motivations in this series. All his actions thus far had been to prevent Raymond Warren from creating an army with spider powers, which he could use for his own goals of domination. Believing Spider-Man to be part of Jackal's army, Norman's distrust would seem warranted and he may be placed on a morality chart as a "chaotic good". At least that's how I felt about his character until the finale, but we'll get to that.

On to "Spider-Island", an adaptation of the 2011 comic book story with considerable differences. Due to the explosion of Jackal's lab at Midtown, it actually releases a spider virus, which grants virtually everybody in New York spider powers. Among those is Gwen Stacy, who adopts the Spider-Gwen identity, with the costume sans the mask and elects to have her identity public. Those who remember my "Ultimate Spider-Man: Return to the Spider-Verse" review know how I felt they ruined the character of Spider-Gwen. This series though actually makes it work despite still being different from the original Spider-Gwen premise. Since we've known this version of Gwen since the start of the show, seeing her intellect and ability to help out Spider-Man, we've grown to know this character. She wasn't just haphazardly thrown in due to the character's popularity. Besides that, it was clear it wasn't going to be permanent. When this show started though, I was worried they were going to give Miles, Gwen, and Anya spider powers straight away, creating a team of spiders like Ultimate did and making Peter less significant, but seeing how it was executed, I actually wouldn't have minded if Gwen kept her powers through this.
The first part is basic set-up, the second part is a bit of a detour involving Black Widow and HYDRA, but the third part is when the arc really takes off. Much like the comic storyline, everyone infected with the spider-virus begins transforming into, for lack of a better term, Man-Spiders. This includes Gwen and as we later learn, Norman Osborn, who survived the lab explosion. This leaves Peter, Anya, and Harry the only ones left to find a cure to save the city. Harry is the only one without spider-powers, as he's taken precautions not to be affected, using a glider to get around. Peter has been pretending to have been affected by the virus, as not to expose his identity, which gives the show opportunity to show Peter himself in action and not just in his Spider-Man costume; it's a nice change of pace considering we barely saw Peter out of costume in Ultimate. They learn that the Man-Spiders are being controlled with their leader hiding out in OsCorp. While they believe the leader to be Norman at first, it's actually the Jackal. While Anya develops a serum that prevents her from turning into a Man-Spider, it only half works when they inject Norman, giving him back some of his humanity but retaining a monstrous form. They later theorize they need the DNA of the first spider soldier, i.e. Spider-Man, to create a full cure. Realizing he has no choice, Peter reveals that he's Spider-Man to Harry (in another emotional scene I might add), mixes his blood with Anya's cure, reverting Norman back to human form. They return to Horizon to siphon more of the cure, where they realize they'll need a wide-dispersal device to reach everyone in the city, heading back to OsCorp to get one. Another battle with Jackal thwarts these plans, as he damages the device and activates a timer on a bomb to destroy them. He escapes leaving them to the bomb. While Harry wants to disarm it despite the little time they have, Peter theorizes that much like how an explosion spread the spider-virus in the first place, another explosion can do the same for the cure. Considering the bomb would destroy the Osborn Academy section of the building, he doesn't want to see what his father built destroyed. Realizing there's no other way, Peter places the cure on the bomb and forcibly carries Harry our of the building before it goes off. The explosion causes the cure to disperse, curing everyone and turning back into powerless humans. And before anyone gets technical, Peter and Miles got their powers from spider bites, which makes them immune to the cure since they didn't get it from the virus. Although I wonder about Anya though. While her initial cure kept her from mutating further, still retaining her spider-powers, I have to wonder if it kept the full cure from affecting her. The rest of the season doesn't show anything that would indicate she still has powers, but I think this is an issue to return to next season.
As this story wraps up, while they're successful, Harry is once again angry with Peter for allowing Osborn Academy to be destroyed.

In my first analysis, I didn't have much to say about Harry's hatred for Spider-Man other than it's kind of cliché at this point, and it didn't really bother me that much. But beginning with this stretch of episodes, I started to become annoyed with Harry's hatred, seeing it rise to idiotic and sometimes straight-up asshole levels. But then I realized something about Harry, not just in this series, but pretty much every version of the character: he is not a rational person. In various comics, movies, and cartoons, Harry always finds out about his father's villainous ways and follows in his footsteps for misguided revenge on his best friend. So if you think about it, how Harry's portrayed here does fit with his character, especially considering how he can be easily manipulated by his father. And I was even right in that when he found out Peter was Spider-Man, it would hit him hard. Imagine hating someone you didn't really know, only to find out it was your best friend who kept it secret from you the entire time. Throw in the fact that he kind of let your dad's school blow up right after that, and it certainly doesn't help things.

This leads up to our two-part finale, "Hobgoblin". As Doc Ock returns with his Sinister Five, he uses them to wear down Spider-Man, allowing him to place the hero under mind control like the rest of the team. Doc Ock leads his new Sinister Six on a crime spree, and Norman, believing Spider-Man to have shown his true colors and wanting Harry to become the hero he wanted him to be, gives his son the glider, gadgets, and suit to become the Hobgoblin. Harry suits up and goes after the six, eventually trying to reason with Spidey when Ock off-handedly remarks that he has him under mind control. As Spidey throws Harry off the edge of a building, seeing his friend in danger gives Peter enough will to break free of Ock's control and save his friend. The two then work together to free the others from Ock's control, who then turn on their former "leader", forcing him to retreat.
In part two, Peter and Harry, having worked out their issues, begin working together to track down both Ock and Rhino (in this version, Rhino is just a mindless beast when not under mind control by Jackal or Ock). After catching Rhino, Peter heads to his last day of school at Horizon High, where Doc Ock attacks. Peter suits up as Spider-Man, and the Hobgoblin appears soon after. After trapping Ock in a force field though, the Hobgoblin then turns on Spider-Man saying he needs to be destroyed. After Miles intervenes, the Hobgoblin retreats.
Much like how the beginning of this series had parallels to how Spectacular Spider-Man started, this season finale is very similar to how that show ended, with a Harry/Norman Goblin twist. In Spectacular, Norman had framed Harry for being the Green Goblin, saying he was blacking out and becoming the Goblin. In this series, Norman had used the Hobgoblin tech to bring down Spider-Man himself and tried to make Harry think he was blacking out and he subconsciously still hated Spider-Man. Seriously, as soon as the Hobgoblin attacked Spidey after taking down Ock, I immediately knew it was Norman. It was so predictable that I couldn't even call it a twist. Hell, even if I had never watched Spectacular, I still probably would have figured out Norman was suiting up as well.
Where it differs from Spectacular though is that Harry isn't as forgiving of his father's actions. Realizing the kind of man his father is, Harry stands by Spider-Man, and as battle begins again, an explosion occurs and Norman apparently dies (again). Soon after, Harry is named head of OsCorp (which makes me question how old he is in this show) and he and Peter are still on good terms. Harry then listens to a voicemail from his father, having faked his death to allow Harry to become his own man, but leaving something behind for Harry in a secret room behind the bookshelf, but they're apparently saving that reveal for next season. While it's very easy to take Harry Osborn down a tragic path like so many version before, I do like that they were able to give him a happier ending (at least for now). As for Norman, let's just say they definitely set up his return as the Green Goblin for next season. And so the season ends with Peter learning that Horizon High has created a statue of Spider-Man to honor him for all he's done for the school.

With season one in the bag, my thoughts on the series remain the same. It definitely does things to differentiate itself from past Spider-Man series, and sometimes those things work and sometimes they don't. Nonetheless, it's still a Spider-Man series worth watching in my opinion.
Season two has been announced and it's been revealed that Doc Ock will return as the main villain throughout the season and that Peter will get a job at the Daily Bugle, which means we'll finally see J. Jonah Jameson on the show. It'll be nice to have old pickle-puss around; having him call Spidey a menace and ordering Peter to get pictures will make this show feel a little more complete.
I have a few hopes for the next season:
1. An adaptation of the Superior Spider-Man. Ock has already proven his potential to be a hero and he can manipulate the mind control technology to allow him to switch bodies with Peter; the seeds are there, they just need to bloom.
2. Peter and Gwen's relationship to further develop. It really took a backseat in the second half of the season, so it would be nice to get back to that.
3. An answer to whether Anya retained her spider-powers. I wouldn't mind if she became Arana or Spider-Girl, depending what codename they want to give her.
4. Eddie Brock as Venom. If they're going to bring in the Bugle, it's a perfect place to introduce the character.

Until then, I will patiently await the further adventures of our friendly neighborhood Spider-Man (in animated form).

Monday, February 19, 2018

Movie Review: Black Panther - Hail to the King


At this point, it's usually safe to assume that when a new Marvel Studios film comes out, it's going to be good. It's just a matter of HOW good it will be. I try not to put much stock in what critics say, good or bad, so as to not affect my expectations. Chadwick Boseman's Black Panther already had an impressive debut two years ago in "Captain America: Civil War" and now he takes center stage for his own much anticipated film, showcasing the character's rich mythos. At the time of this writing, Black Panther is already critically acclaimed with a 97% rating on Rotten Tomatoes, the highest of all the Marvel Cinematic Universe films. I went in thinking this film would be good, but would it be THAT good? Well, just when I think Marvel can't surprise me anymore, they do.

Despite what I felt was a slow start, it didn't take long to find myself immersed in the film. I felt like I was on the edge of my seat for a good chunk of the film, and not just for the action scenes. Story wise, I saw it as a mix of a soap opera and political drama, and I believe I picked up on some subtle commentary on our own political landscape at the moment. I'd have to say that Black Panther has the deepest story of all the MCU films.
The filmmakers did a great job at creating Wakanda, from the landscape, architecture, and their own advanced technology that would make Tony Stark envious. But what I really love is that despite all the technology they have, they hold on to their rich culture and traditions; it's a good balance.
The action was amazing as well. Alongside Captain America, Panther is one of the most agile and fiercest hand-to-hand fighters in the MCU to date. In a way, you can see him as a mix between Cap and Iron Man. He's well adept to fighting, but he does get help in some scenes from his vibranium powered suit. While I've always thought it would be awesome to have an Iron Man armor, I walked out of this thinking it would be cooler to have a vibranium suit like T'Challa. Some will probably think the suit makes him too over powered, but as I said, he proves he doesn't need it to get the job done. Besides his fighting prowess, the film also had probably the best car chase in movie history and a thrilling climax that helps it stand out from the rest of the MCU.

Chadwick Boseman is fantastic as T'Challa, especially in the scenes detailing his internal conflicts. Not only is T'Challa trying to figure out how to rule as Wakanda's young new king, but he's also dealing with discovered secrets from the past his father kept. Wakanda can be seen just short of a utopia, and to find out your homeland or your father wasn't as perfect as you believe can have a real effect on someone such as T'Challa, and it shapes the character for the future.
They say behind every great man is a woman, and in T'Challa's case, he has three: Nakia, his love interest, Okoye, his bodyguard, and Shuri, his 16 year old technology innovative sister. All three women create a great inner circle for T'Challa, each having their own different personalities and relationship to the king, and they all know how to kick ass too. Of the three, Shuri was my favorite because the brother-sister dynamic was the most entertaining to me.
And then of course we have our main villain, Erik Killmonger, played by Michael B. Jordan of "Creed" fame and "Fant4stic" infamy. Much like his fellow former Human Torch, Chris Evans, Jordan finds comic book movie redemption as one of the best MCU villains to date. Jordan said he took inspiration from Heath Ledger's Joker when it came to the role, and unlike a lot of actors who say that, I genuinely believe he did based on his performance. While Killmonger has a tragic past and his motivations are understandable, I really did see a lot of Ledger's Joker in his actions; he has his own life philosophy and kills anyone who gets in his way, and at times really does come off someone who just wants to watch the world burn.

To me, Black Panther is a near perfect film. Guardians 2 is still my favorite of the MCU, but Black Panther is a close second. I may sound a bit nit-picky, but I did have to take off points for a trope used before in previous superhero films that has kind of been played out (without spoiling much, see "Dark Knight Rises"). Nevertheless, Black Panther was amazing, phenomenal, and is definitely a must-see for fans of Marvel, comic books, and superheroes.

My Personal Marvel Cinematic Universe Film Rankings:
1. Guardians of the Galaxy Vol. 2
2. Black Panther
3. Captain America: Civil War
4. Thor: Ragnarok
5. Avengers: Age of Ultron
6. Captain America: The Winter Solider
7. The Avengers
8. Guardians of the Galaxy
9. Doctor Strange
10. Spider-Man: Homecoming
11. Ant-Man
12. Iron Man 3
13. Thor
14. Captain America: The First Avenger
15. Iron Man
16. The Incredible Hulk
17. Iron Man 2
18. Thor: The Dark World

Thursday, February 8, 2018

Movie Review: "Batman: Gotham By Gaslight" - One for the (Victorian) Ages



I've talked on this blog before about stories dealing with alternate versions of well established characters, whether they be drastically altered takes or moving familiar elements to a different period of time. Today's subject is quite significant in both respects. Released in 1989, the "Gotham by Gaslight" graphic novel featured a version of Batman where he operated in the Victorian era, encountering infamous serial killer Jack the Ripper in Gotham City. The success of the story helped DC launch the Elseworlds imprint, telling one-off stories (some getting sequels) that took their heroes out of their usual settings in one way or another without worry of it effecting the main continuity. With that significance, it made the story prime material to be adapted into an animated film.

It's worth noting that while it is an adaptation, it's not a direct one. Similar to the previous animated Justice League films "Crisis on Two Earths" and "Doom" being adaptations of "Earth-2" and "Tower of Babel" respectively, "Gotham by Gaslight" follows the basic premise of its source material while taking its own liberties. Admittedly, I've never read the original "Gotham by Gaslight" story and can't credibly compare it to the film and say which version is better. But just going off the film, I quite enjoyed it. At its core, it's a horror mystery, making it a unique addition to the DC animated film library. It has its bloody elements, but it surprisingly restrains itself at times, and while I myself was able to figure out Jack the Ripper's identity before the reveal, it's still a pretty good twist. It's different from the original story, but I think that helps the film stand on its own, meaning anyone going in will try to figure it out along with Batman.

I feel the film did a good job at capturing the tone of the era it took place, and lot of that is partly thanks to the delivery of the voice cast, especially those who had characters who spoke with a certain vernacular. It's one thing to draw the backgrounds, settings, and characters in the style of a certain time, but it doesn't mean much if the voices don't match up. The one who stood out to me was Bruce Greenwood, reprising his role of Bruce Wayne/Batman from the "Under the Red Hood" film and "Young Justice" series. While he's done the role before, this time around, Greenwood has more time to play Bruce Wayne, showing off more range in his voice. A big thing about voicing Batman is the ability to distinguish his voice from Bruce Wayne's; not everyone can do it, and while I feel many won't notice the difference between Greenwood's Bruce and Batman, I definitely heard it.
As for the rest of the characters, another aspect different from the source material is the inclusion of more Batman characters. Only Batman, Alfred, and Gordon transition over from the book to the film. Characters like Selina Kyle, Harvey Dent, and Leslie Thompkins are brought over and portrayed well enough to make them very different from their mainstream counterparts. Though my favorite inclusions were Dick, Jason, and Tim; while many know them as the first three Robins of the mainstream Batman, they're portrayed here as young street orphans trying to get by. I love the brotherly love they have for each other, and while they could have just used these characters as an Easter Egg for the fans, I was surprised at how much of a role they played here, even helping Batman in a few instances. Of course, where would Batman be without a Robin? I'd also like to give props for them giving Jason red hair; for those unaware, Jason had red hair in his first appearance and dyed it black when he became Robin.

I loved the art style they chose for this film. While the DC animated films have used styles ranging from traditional like the DCAU, to anime influence, to matching the style of the artist certain stories were based on, the style used for "Gotham by Gaslight" reminded me a great deal of the "The Batman" animated series that ran from 2004-2008. It was so similar, I was surprised that the character designer from the show, Jeff Matsuda, wasn't involved here. While I was a bit out of the age group "The Batman" was intended for during its run, it still brought forth a feeling of nostalgia in me.
The action is very simple in the film, but its fitting. We have a Batman that's more of a brawler compared to other versions, and it's very seldom where you'll see him kick. It's a nice change of pace if you ask me.

If there's one thing that did bother me about this film, it was just the sudden ending. While it does conclude on a somewhat happy note, without spoiling much, it just ends after the climax rather bringing some resolution to certain plot points earlier in the film. As it happens, this was a problem some episodes of "The Batman" had, and given the similarity in the two's art styles, I suppose it's fitting, but that doesn't make it right.

All in all, "Batman: Gotham by Gaslight" is worthy not only as part of the long history of animated depictions of Batman, but also as an adaptation that I think even those familiar with the source will enjoy. I see it as a must-watch for all Batman fans, but I would hold off on showing it to the kids concerning the content.