Saturday, February 10, 2024

Series Analysis: Power Rangers Dino Fury

 




POWER RANGERS DINO FURY (2021-23)
Adapted from Kishiryu Sentai Ryusoulger and Uchu Sentai Kyuranger
Hasbro Era

It began in the 1990's when the Mighty Morphin' Power Rangers exploded onto the scene with their Dinozords. The most popular Ranger of that team would return in the 2000's to mentor a new generation with Power Rangers Dino Thunder. We travelled to another dimension in the 2010's to see the battles of the Power Rangers Dino Charge. Which brings us to the 2020's with Power Rangers Dino Fury. It's very clear the franchise loves dinosaurs, and it feels very fitting that the continuity that started over 30 years ago has seemed to have reached its conclusion...for real this time. In terms of execution, they went out on a high note and delivered the best entry in the franchise since Dino Charge and even exceeds that.

I should start by pointing out that I probably technically should be doing separate posts for Dino Fury and its third season, Cosmic Fury. Much like Mighty Morphin' did, this series goes past its own source material from Super Sentai and incorporates elements from an additional Sentai. The difference though is that while Mighty Morphin' built upon each season with how they mixed their Sentai roots, Cosmic Fury does feel like its own entity, especially since the villains Dino Fury started with were dealt with and a mostly new batch were introduced as the main threat. However, since I grouped all of Mighty Morphin' together back when I ranked every season up to Megaforce, I'm choosing to do the same when talking about Dino Fury and Cosmic Fury. Not only do characters and plotlines carry over, but the dinosaur motif for the Ranger outfits remains despite the change in the zords. So I may use Dino Fury as a whole unless specified.
And before I get into the meat of the series, I need to be picky about a few creative choices.
* "Dino Knights" (and by extension "Cosmic Knights") was right there when coming up with a team name since those were the main motifs for Ryusoulger. Apparently, that was an initial choice but Hasbro saw "Dino Fury" as more marketable.
* The theme song for Dino Fury is just as lazy as Beast Morphers', but thankfully more effort was put into Cosmic Fury where it feels like a more proper Power Rangers theme.
* The morphing call (if you can call it that) is the most boring one I can remember. They were basically just announcing their actions for the process. Granted, flipping their power orb into their Cosmic Fury morphers was a cool move.

The team building method was very similar to In Space (and I'll be making a lot of comparisons to that season in this post). We have an alien Red Ranger (Zayto) who's joined by Earthlings who take up the Ranger powers from his lost teammates and then later by a sixth Ranger from the previous team (Gold Ranger Aiyon) who was believed to be lost. Along with the aliens getting used to Earth customs, the other Rangers have good characters that bounce well off of each other. Pink Ranger Amelia Jones (I think someone on the writing staff was a Doctor Who fan) is openminded to the supernatural and paranormal while Blue Ranger Ollie is very scientific and always tries to find a logical explanation to situations; and in true "opposites attract", the two eventually become a couple and it happens naturally. The Garcia siblings also contrast in their interests with Black Ranger Javi being a musician and Green Ranger Izzy being a track star.
In Cosmic Fury, we see Amelia promoted to Red Ranger, the first female to wear the color in a main character capacity. While there were moments as the Pink Ranger that showed her leadership potential, Amelia really stepped up to keep the team motivated after Zayto goes missing in space and the Dino Fury powers are destroyed. With the creation of the Cosmic Fury powers, the Morphing Grid makes her red, a decision everyone assures her is earned.
In one episode of Dino Fury and a majority of Cosmic Fury, Ollie is turned evil/corrupted into working with the villains. Ollie's actor Kai Moya does a good job in playing a bad guy, with his initial superiority complex working well to make it feel natural compared to other times in the franchise where Rangers would get put under an evil spell and it would be so over the top (with some exceptions). Seriously, if Ollie hadn't joined the Rangers, he may have gone full Lex Luthor.
While all the Rangers are enjoyable to watch, I'd say my favorite is Javi. From his first appearance, he just has this natural likability and sincerity that reminded me of Adam.

Like Beast Morphers, Dino Fury has a lot of callbacks to Power Rangers history, with appearances by characters from past seasons, easter eggs, and direct clips/flashbacks. The most prominent example is Billy returning as the Mighty Morphin' Blue Ranger in a main character spot for Cosmic Fury. Compared to how Beast Morphers felt bogged down by this though, I think it makes more sense for Dino Fury to do this given its status as the final entry in the series and celebrating the 30th anniversary. And while many tropes the franchise is known for are present, the writing for Dino Fury is done so well that you can overlook them. There's a good balance of fun and drama with plenty of feel-good moments between the characters.
Much like with In Space and RPM, Dino Fury was being treated as the end of the series before it became official so it had a little extra effort put in. The move to Netflix beginning with season two helped with this, lifting some restrictions they may have had on a cable channel like Nickelodeon. It's still family friendly, but I found some of the language and violent imagery a little suggestive compared to what we've seen before with Power Rangers. The biggest example of this is Javi losing an arm activating the Cosmic Fury Zords while under fire from the enemy. We've seen Rangers die and come back (hell, it happens to Zayto twice), but seeing a Ranger maimed like that was pretty shocking.
While Dino Fury has a traditional Power Rangers tone, Cosmic Fury takes things in a darker direction much like In Space did to what came before, particularly in the beginning with the villains having the Rangers on the run after destroying their powers. It especially does well in capturing the tone of In Space's two-part finale "Countdown to Destruction", something Megaforce tried and failed to do. And on that note, when a character from the past says something along the lines of being honored to work with the Dino Fury Rangers, it doesn't feel forced.
It's worth noting these are probably the most progressive years for the franchise. We have a character with an intellectual disability in Javi and Izzy's cousin Lily, who has CHARGE syndrome. I really liked that they don't make a big deal about it; she's happy with who she is and always wanting to help her family and others. And of course, we have a major milestone with our first LGBTQ+ Ranger in Izzy, with her girlfriend Fern joining the team in Cosmic Fury as the Orange Ranger. Their relationship feels as organic as other prominent ones in the franchise; love is love, people.

The main source of comedic relief are the Rangers' boss at the Buzzfeed like company they work/hang out at, Jane, and her android assistant J-Borg. Most of the time, their antics don't play much into the main plot, similar to Bulk and Spike's bits in Samurai. They actually kind of reminded me of the Mads from Mystery Science Theater 3000. That being said though, I like that Jane isn't a mean boss or an idiot where the slapstick feels deserved. She's genuinely a good if silly boss who knows how to run a business and wants everyone to have fun too.

The main villain at the beginning of the series is Tarrick, the Void Knight. His motivation is very much like Mr. Freeze, wanting to revive his cryogenically frozen wife Santaura using the power of the Sporix beasts (the name for the monsters of the day); it's actually kind of cool to see a villain not motivated by power or revenge. Though he does succeed in reviving her, Santaura's ambition outshines Tarrick's as she wants to destroy humanity for the pain they've endured on Earth. She uses more Sporix energy to transform into the Void Queen and brainwashes Tarrick to obey her after he attempts to work with the Rangers to stop her violent crusade. There's also a twist in their identities that I won't spoil here. You can see it coming if you're paying attention to the clues but I like that it's not telegraphed, being done in a way where the reveal moment is still impactful.
Along with robot generals the Voids build to aid them, they're also assisted by a Sporix beast named Mucus through the series. She reminds me a bit of Harley Quinn when she first appeared in Batman: The Animated Series, silly but wanting to earn her boss's respect. She was a fun character to me.
Much like Venjix in Beast Morphers, we have the return of another main villain from the past in a prominent capacity: Lord Zedd. After having his evil essence resurrected by a Sporix beast and placed under its control, Zedd breaks free and escapes to plot. He would return for a multi-episode arc in season two and become the main villain for Cosmic Fury. Bringing Zedd back was a great move in my opinion, especially when you see the significance of the first American-made villain being the series' final boss. The threat of Zedd is sold well, that despite all the villains that came after him, he's still a force to be reckoned with. Zedd's original voice actor, Robert Axelrod, unfortunately passed away in 2019, so Zedd's voice would be provided by Andrew Laing in Dino Fury and Fred Tatasciore in Cosmic Fury. While it would be impossible to match Axelrod's menacing tone, both Laing and Tatasciore give their all in trying to recreate it, even if the voice filter can feel off sometimes.
While Zedd is assisted by a new set of villain in Cosmic Fury, I really don't have much to say about them. Considering Cosmic Fury only had ten episodes, they honestly didn't have much impact on me compared to the forty-plus we had with the Voids and Sporix.

Overall, Dino Fury succeeds in its own right, as an anniversary season, and as the conclusion to the continuity that began with Mighty Morphin'. I've had a wild run with this show. I started watching as a kid, fell out of it, came back and nearly gave up a couple times. Power Rangers has endured for three decades and it's hard to believe it's finally reached its end.
True, Netflix is rebooting the franchise with a 2025 target date, but between the end of the Toei partnership and moving production out of New Zealand where they've filmed since Ninja Storm, it's truly the end of an era. It's tough to say whether they'll redo Mighty Morphin' like the 2017 film did or if they'll do an entirely original premise independent from Super Sentai. I'll have to wait for more info on it and see if it piques my interest.
Before I leave my final seasons rankings, to my fellow Ranger fans who've been along for any part of the journey the last thirty years, may the power protect you.

Friday, January 26, 2024

Movie Review: "Teenage Mutant Ninja Turtles: Mutant Mayhem"

 


Some franchises have such longevity because they revitalize themselves every decade, bringing the concept into a then-modern setting that allows them to be different from before and add something new to enjoy. Teenage Mutant Ninja Turtles is one such franchise, specifically their animated adaptations. From the late 80's/90's series to the 2003 and 2012 versions, the past three decades have had their own Turtles kids could grow up with; and even if you've watched all three, you can see how each have their merits that any could be someone's favorite. The 2020's begin the cycle again with the film "Mutant Mayhem". In addition to being declared the best TMNT film by a wide margin (and I totally agree with the sentiment), we can bid welcome to the Turtles for a new generation that can also be enjoyed by the older ones.

A good way to look at "Mutant Mayhem" is kind of like a "Year One" story. While we see the Turtles here trained in martial arts and their iconic weapons, it takes them awhile to get in the groove of battle since they've been sheltered their whole lives and never been in a real fight. This plays well with the big draw the film has compared to past adaptations, that being more emphasis on the "Teenage" part of the title than ever before. In addition to giving the Turtles real teenage problems like dealing with an overbearing parent and trying to find their place in the world, actual teenagers voice the characters for the first time ever. The cast recorded their lines together and would improvise things that made it into the film, giving the brothers such natural dialogue and feel like their age. It even makes the pop culture references not feel so forced; they're teenagers in 2023, of course they'd be making these references.
Joining these fresh faces is a good cast of established actors who bring just as much fun to the film, including Paul Rudd as Mondo Gecko, Rose Byrne as Leatherhead, Natasia Demetriou as Wingnut, and Jackie Chan as Splinter. Ayo Edebiri and Ice Cube also do well as April and main villain Superfly, respectively. April fits right in with the Turtles while Superfly initially gives them a sense of belonging before he goes full Magneto.

"Mutant Mayhem" uses the same animation style as the "Spider-Verse" films, which naturally ensures some dynamic action scenes. To help it stand out though, I notice they give it a gritty and scratchy style that evokes the original TMNT comics. There's even some nice artistic choices of including stray pencil/marker lines and painted looking backgrounds. And while it's in 3D, there were times where the movement and character designs kind of reminded of stop motion films, with "ParaNorman" the one most springing to mind.

Without going into spoilers, this film takes the Turtles in a very different direction some may be used to. But like I said, new interpretations need to do something different from before while still maintaining the spirit of the franchise. "Mutant Mayhem" does that and Paramount and Nickelodeon are going all in with this version; along with a sequel being greenlit, an animated series and video game are also in the works. All in all, it's a safe bet that the Turtles have a bright future ahead of them.

Thursday, January 11, 2024

TV Review: Echo - The New Defender

 


2023 was a rough year for Marvel Studios, as I explained in my review for "The Marvels". 2024 was looking to continue said rough patch with the first project of the year, "Echo." Along with reports of a troubled production, the Disney+ series was breaking the pattern by only having five episodes rather than six or nine and dropping all episodes at once rather than weekly; it seemed they were just throwing it out there to rip off the band-aid of another dud. As it turned out though "Echo" is the shot in the arm Marvel has been in need of.

As part of Marvel revitalizing their plans, "Echo" is the first series to be released under the "Marvel Spotlight" banner, designed to tell grounded stand-alone stories. Based on what we've seen with this series, this could be Marvel's way of bringing back the type of tone not seen since the Netflix line of series. Being the first TV-MA rated production from Marvel Studios, "Echo" breaks the mold and evoked the same feelings I had when "Daredevil" first began nearly a decade ago. The grittiness and ultra violence that helped each Defender series stand out has returned here, giving us some down and dirty action that will get your heart pounding; there's even a long tracking shot involving Daredevil in the first episode. While Marvel Studios has delivered (mostly) great series, "Echo" shows they can stray from the family friendly tone and still deliver the goods.
The release strategy was probably beneficial as well. This was a story that needed to be told all together (another Netflix comparison), and much like season two of "Iron Fist", cutting the episode count down shows they know when a story doesn't need to be stretched out if there's no substance.

Reprising her debut role in "Hawkeye", Alaqua Cox shines as Maya Lopez. As a deaf actress and character, she does so well at conveying her feelings and emotions without saying a word. It's rare for a movie or series to have a main character like that, but it's nonetheless easy to become invested in her. I especially like the moments where all the sound goes away to experience things from Maya's perspective, which seems to happen during pivotal moments such as her (presumably) first kill.
What makes Maya's arc so interesting is that she's not initially heroic. Her goal at the start is to usurp control of Kingpin's criminal empire and she doesn't seem to care about putting her family in the crossfire to achieve that. As the series goes on though, Maya learns to break free from Kingpin's influence and embrace not just her living family, but her ancestors. Like their projects with diverse leads before, Marvel once again does a great job at portraying cultural heritage, this time showcasing Maya's Native American roots; it plays a part in her powers manifesting as well as receiving her "supersuit" and the Echo codename in the final episode.
Maya's interactions with her family are enjoyable as well, with good performances from each actor in their respective role. They also each played an important part of the series' climax, further cementing the theme of familial bonds; the grandfather (played by Graham Greene) isn't present for that, but he's still a great character throughout the series.

Vincent D'Onofrio still casts a terrifying presence as Wilson Fisk. The series dives deeper into his father figure role to Maya, evoking a Thanos/Gamora like relationship. He cares for her and will go to any lengths to protect her, but goes to even greater lengths to avenge her betrayal. Looking to the future with projects like "Daredevil: Born Again" and "Spider-Man 4", Marvel is definitely building Kingpin to be a street-level Thanos, making my earlier comparison apt. The post-credits scene sets the stage for that, though I feel they'll be somewhat retreading ground from season three of "Daredevil."

"Superhero fatigue" may be affecting some, but "Echo" will give fans of all kinds a unique character along with what's been missing from Marvel lately. If you're a fan of what came before from Netflix and wanting something new of that variety, "Echo" should sate your appetite.