Thursday, December 30, 2021

TV Review: Hawkeye - Passing the Bow

 


We've seen a lot from the Marvel Cinematic Universe in 2021, from heroes processing their grief, established characters beginning their next journeys while new ones take their first steps, and the expansion of the cosmic scale that will only continue to grow. For the last trip to the MCU this year, we go on a holiday adventure with Hawkeye, the last of the original six Avengers to receive a solo story. While this series hadn't really taken the world by storm like previous Disney+ series in "WandaVision" or "Loki" and may have been understandably overshadowed by Spider-Man, what "Hawkeye" delivers is a nice way to wind down the year.

At its core, "Hawkeye" is a simple story with a much smaller scale compared to everything else that's come from the MCU this year. I'd say it's probably the most grounded production to come from Marvel Studios with its first proper foray into the criminal underworld and organized crime, which has sorely been missed since the cancellation of all the Netflix series. While there's good action and character moments throughout, the show does admittedly have a slow burn, but it culminates in a very exciting and explosive finale that truly highlights what makes Hawkeye a worthy member of the Avengers.

With the spotlight finally on him, Jeremy Renner turns in another fine performance as Clint Barton. What I really enjoyed this time around is how we get a better understanding of Clint's mindset, from his continuing PTSD from the events of "Infinity War" and "Endgame" and his uneasiness of being treated as a celebrity because of the Avengers; thinking back to "Age of Ultron", he just sees himself as a guy doing his job.
For all intents and purposes, this show really should have been called "Hawkeyes" as the MCU introduces the other Hawekye from the comics, Kate Bishop, played by Hailee Steinfeld. While Renner is the headliner, this show is really more Kate's origin story. When we first meet Kate, she's already shown to be very good at thinking on her feet, holding up well in a fight and talking her way in and out of situations. As she and Clint meet and find themselves being hunted, the chemistry between the two is the best part of the show with the contrast of the old Clint's pessimism and Kate's youthful optimism. It's a delight seeing Clint go from thinking of Kate as some fangirl in over her head to a true partner he's proud to fight back-to-back with. If there is a second season, it will be easy to see Renner taking a backseat as Steinfeld fully takes the lead and mantle.

Along with our two heroes, the show does turn in other great characters and performances, such as new characters like Maya Lopez/Echo (played by Alaqua Cox) and Kate's mother Eleanor (played by Vera Farmiga). We also have the return of Florence Pugh as Yelena hot off her debut from "Black Widow", and this time around, her performance is just adorable when she's not trying to kill Clint. As the youngest of her old family unit, she really leans into the fun-loving kid aspect of her character this time around. The best parts with her are her interactions with Kate, with their chemistry reminding me of two rough housing cousins. And of course, the literally biggest character reveal of the series is Vincent D'Onofrio's return as Kingpin. Despite the change in streaming services, D'Onofrio still has the same intensity as Wilson Fisk as he did over on Netflix, where he could snap into a violent rage at any moment. It's a welcome return to one of Marvel's best villains and I look forward to where he pops up next.

Overall, "Hawkeye" may not be another universe changing event, but it's still another satisfying Marvel production to close out 2021. And here's to 2022, where we'll have lots of new things to talk about from Marvel, DC, and more and hopefully see the world return to a better sense of normalcy.

Monday, December 20, 2021

Movie Review: "Spider-Man: No Way Home" - Spider-Endgame


After "Avengers: Endgame", I didn't think we'd reach similar hype levels for an MCU film until the next Avengers film inevitably arrives. But here we are with "Spider-Man: No Way Home", the third MCU Spidey film we're very lucky to get after the brief dissolution of Sony and Disney's partnership over the character after "Far From Home". Given the scope and expectations for this film, there was a lot that could have gone wrong considering how Sony has screwed the pooch before with the franchise. Now that everything's said and done, "No Way Home" has brought a movie experience that rivals and exceeds the levels of excitement of "Endgame."

"No Way Home" had me cheering harder and got the strongest emotional reactions than any film I've seen before. Along with a strong story and amazing fight scenes, the journey Peter Parker goes through is executed brilliantly, highlighting the traits that make Spider-Man such a unique character and why he is so beloved by fans.
Of course, the biggest draw of the film is the colliding of worlds as the universes of Sam Raimi's original Spider-Man trilogy and Marc Webb's Amazing Spider-Man films crossover into the MCU's sacred timeline. As each past villain appears, the crowd in the theater I saw the movie in exploded with excitement. Said excitement is well founded as each returning actor haven't skipped a beat as their characters. Willem Dafoe as the Green Goblin truly stands out as this film firmly cements his character as the king of Spider-Man villains. And for the sake of keeping this review spoiler-free, the appearance of other "certain characters" a lot of us were expecting or had a pretty good idea would be in the film got the biggest pops of all. There was literally no limit to how entertaining it was watching all these characters from across three universes interact with one another. Some may feel the film relies too much on fanservice or need to point out plotholes, but I see this is a case where you just need to stop overthinking things and enjoy what's being delivered.
Something I really loved doesn't really have to do with the film itself but with the crowd's reactions to it throughout. The Spider-Man film franchise has had some ups and downs over nearly twenty years, but despite all the misgivings and debates over each series, seeing each aspect of the past films appear and be cheered shows how loved the franchise as a whole is and was really heartwarming for me. I'm not saying I believe this will end all bad blood between hardcore fans of whatever series they love, but I like to think the fan community as a whole has grown a little closer.

While there's a lot to be excited about, for what it's worth, "No Way Home" is without a doubt the darkest Spider-Man film yet. With the multiverse aspect being most prominent in the film's promotion, it may be easy to forget that Mysterio outing Peter's identity in "Far From Home" is the catalyst for all the film's events. And unlike how things went with Peter's identity going public in the comics, the MCU doesn't just sweep it under the rug like it never happened. Consequences and responsibility are a big theme that reverberates for this film and will for years to come. Compared to the triumphant note "Endgame" concluded on, "No Way Home" ends more bittersweetly; it's a heartbreaking end to one era but a promising beginning to a new one. Plus, if the partnership between Sony and Disney goes sour again, it'll at least end on a more definitive note compared to where things could have been left off at with "Far From Home".

Overall, much like how "Avengers: Endgame" was the culmination of over twenty films over ten years, "Spider-Man: No Way Home" is a testament to twenty years of films starring the character that will satisfy and move fans no matter which version is their favorite.

Friday, November 19, 2021

TV Review: Doom Patrol Season Three - Forever Weird

 


Going into the third season of Doom Patrol, I was initially worried I wouldn't have enough to write about when it came to the show's season by season formula. Obviously the main characters would be dealing with their personal issues while fighting off a wonderfully bizarre cadre of villains. But said formula can become monotonous if nothing new is present. While these elements are retained, season three has a creative spark that assuaged my fears and in my opinion, brings back the magic of Doom Patrol's first season.

While our heroes continue to deal with their personal problems, the show is able to further peel back their layers and introduce new elements to their stories that continue to be engaging. As a result, the season finale is able to illustrate how much each character has truly grown compared to the first episode. In fact, I could have seen that episode acting as a series finale if it weren't for the fact that we are getting a fourth season; it'll be interesting to see where the characters go next considering the positions they're in when we leave them.

When it comes to the villains introduced this season, there is a lot more of the "What the fuck?" magic that was more prominent in the first season compared to the second. But the best in this aspect of the show are the characters who aren't necessarily villains, but still antagonists.
Michelle Gomez enters the show as this season's "big bad" Laura De Mille/Madame Rouge, where she is able to bring the same enjoyable chaotic energy she did over in "Doctor Who" as Missy. And much like Missy during the tenth season, there's a bit of a wild card in Rouge's character where she plays both sides and you're not sure about her intentions. In any case, Rouge is able to fill the hole left by Alan Tudyk's Mr. Nobody from season one.
We're also introduced to the Sisterhood of Dada, who could be seen as the Brotherhood of Mutants to the Doom Patrol's X-Men. Instead of the domination/co-existence rivalry of those groups though, the Sisterhood act as the antithesis to the Doom Patrol in that instead of hiding away from normal people, they want those would persecute metahumans to take a good hard look at their lives and hopefully become better in the process. To this end, they bring forth the Eternal Flagellation, which I found reminiscent to the Ragnarok Connection from "Code Geass", but much weirder and strangely more coherent.

Much like how "Doom Patrol" came about from "Titans", this season also sets up another DC show in development for HBO Max with the Dead Boy Detectives. Teen ghosts from different eras, Edwin Paine and Charles Rowland, and their medium Crystal Palace are introduced in the third episode of the season as they travel with Larry to the afterlife to bring back the other Doom Patrol members killed in the prior episode. The episode does a good job at explaining each character's backstory and their relationships, acting somewhat as a backdoor pilot that establishes the premise of their adventures. The downside though is that each character is set to be recast for their coming series, which is a shame because I thought each actor (Ty Tennant, Sebastian Croft, and Madalyn Horcher) did quite well in their roles. When the show finally materializes, hopefully the new Dead Boy Detectives will be able to win me over.

Overall, season three of Doom Patrol is a return to form with the kind of characters and weirdness people have come to love about what I consider the best show to originate from the DC Universe service.

Sunday, November 7, 2021

Movie Review: Eternals - Marvel's Oscar Bait

 


For years, some people have been wondering what Marvel Studios' first major misfire would be. There were doubters on Guardians, Ant-Man, and to a more sexist degree, Captain Marvel, but each film found great success. With Eternals though, the honeymoon phase may finally be over given the overall critical reception. For me personally, the film is a bit of a mixed bag.

Eternals does have a lot of what people love about Marvel films. There's the trademark humor and some very entertaining action scenes. The visuals of the film are quite spectacular, which are well worth seeing on the big screen to properly absorb the scope the film is going for.
I enjoyed all the acting overall and while there are some moments where a performance felt a little off, it didn't really bother me because I attribute it to the characters being aliens living among humans; you could see it as some of the characters being able to acclimate better to Earth life than others. While I was initially worried having ten main protagonists would make me lose track of things, it was surprisingly easy to follow. The film does a good job of introducing each character and making them unique in personality, skill set, and assimilation with humanity. And like a few other superteams I've talked about before, I also enjoy the sense of family among them and the relationships they have with each other. If I had to pick my top three characters, it would be Angelina Jolie as Thena, Kumail Nanjiani as Kingo, and Brian Tyree Henry as Phastos.

So where does the film falter? Well for one, there are quite a few exposition dumps, which I did honestly half-expect. There are also some plot decisions that I thought were questionable and I think they kind of wasted a cool looking villain in Bill Skarsgard's Kro. But I think the main thing that's making me lean so negative is that by the time we reach the film's climax, I honestly didn't feel the same level of excitement as the other MCU films by that point; I think that might be due to a combination of not being totally invested in all the characters as I should have (despite my enjoyment of them) and a low level of tension with the threat being stopped because what would have happened if it weren't was obviously not going to.
I also felt the film may have been overhyped in some regard. While we learn some things about the greater cosmic side of the MCU, I wouldn't exactly consider them game changing. There's also the fact that despite the film being described as standalone, the way things end before the credits even start show the story clearly isn't over. And I'm not talking about just teasing things for a sequel, this film leaves us on an incomplete note with multiple hanging questions; the most I took away is that there may be a connection to Shang-Chi's mid-credits scene. Each MCU film (even Infinity War) can be watched on its own to a clear conclusion; we don't get that with Eternals.

Reviewing this reminds me a lot of when "Rise of Skywalker" came out a couple years ago. Sometimes it's hard to review things as both a critic and a fan, especially when I find myself more on the critics' side of things (despite not being a professional). I'm happy that there are fans getting something out of the film, and so did I to some degree, but I have to be honest in my opinion. That being said, Eternals is a different kind of Marvel film that still delivers some entertainment, but doesn't quite reach the ambitious levels they were aiming for.

Saturday, October 23, 2021

TV Review: Titans Season Three - Birds in the Hand

 


After a long wait, it's finally time to revisit the world of Titans with the flagship show of the now defunct DC Universe service moved over to HBO Max for its third season and beyond. While my hopes were for the show to retain its upward trend from season two, I found this latest season kind of plateaus.

On the positive side, season three is much more focused than the last, with one main villain to defeat and characters' personal stories sprinkled throughout. I also like that we start out the season with the Titans being a firmly reestablished superhero team now all with supersuits in tow and that despite friction between members, they operate on a much more united front compared to the last two seasons. The season being set mostly in Gotham means it leans very heavily into the Batman mythos (even partially adapting "No Man's Land"), which can be a double edged sword. The main threat and challenges faced in Gotham are pretty well done, though there were times where I kept thinking why this wasn't a full-on Batman story.

Which brings me to my main issue with this season: Jason Todd as Red Hood. Since Curran Walters first appeared as the second Robin in season one, his death and resurrection has been something many had expected to see at some point. While we've reached it, the execution (no pun intended) misses what made his story so tragic. In the comics, Jason planned for years his return to Gotham with his driving force being anger towards Bruce for not avenging his death at the hands of Joker, taking the Red Hood name for its association with his killer. In "Titans", he dies and comes back in a matter of days and is used as a pawn by Jonathan Crane (who does not suit up as Scarecrow this season), which can evoke echoes of their partnership in the "Arkham Knight" video game. The problem with this depiction is that Jason is still the whiny little runt he's been the last two seasons; without the years of festering rage that guided him, it's hard to take him seriously as Red Hood. Plus, Jason's still not that bright, as even at times when he starts to get wise to Crane's manipulation, he somehow still finds himself drawn to work with him. Finally, it's hard to feel sympathy for Jason when he broke bad even before Joker took a crowbar to his face; he sought Crane's help to get past his traumas from season two after Bruce benched him as Robin and told Crane all the family secrets in exchange. My point is, the writers needed to think a little harder when it came to bringing this story to life to capture why it worked in other media.

Like last season, here are some notes on the various characters that appeared this time around:
* We learn a little more about Iain Glen's Bruce Wayne and it doesn't exactly paint him in a good light. Without going into a lot of detail, let's just say they lift from some of the worst parts of Frank Miller's Batman, and I'm talking "All Star" levels here. Even with that aside, Glen's performance this season doesn't have the same energy as before, with him seeming tired half the time. This may be intended as they make a point about him getting older, but this just makes me wonder how this Bruce has still been operating as Batman up to this point. It's unclear if we'll see Bruce next season, but with the implication by the end being that he's retired, maybe he does deserve a break.
* Vincent Kartheiser does a good job as Jonathan Crane, bringing a calm and collected demeanor for most the season before starting to go off the walls in the final episodes. In short, he's able to capture both demeanors of Scarecrow very well.
* Damaris Lewis brings Blackfire to the forefront after being teased last season, and I'm glad they didn't go the obvious route by making her the secondary villain this season. Instead she finds herself a new member of the Titans after building a level of trust with her sister Starfire (Anna Diop), with their relationship reminding me a lot of Gamora and Nebula in the MCU. Blackfire also enters a relationship with Superboy, which comes off naturally as they bond over feeling like a fish out of water when they first met the Titans.
* Savannah Welch perfectly encapsulates Barbara Gordon, reminding me much of the DCAU version of the character at different points. As some can compare Ben Affleck's Bruce Wayne to Kevin Conroy's, I feel the same can be done for Welch to Tara Strong's Barbara. And much like in "Batman Beyond", Barbara is now police commissioner and grown mostly disenchanted with the vigilante lifestyle. I also enjoy that they were able to depict the character as still capable of defending herself even in a wheelchair and the chemistry between her and Brenton Thwaite's Dick Grayson shows a deep connection between the two. 
* Jay Lycurgo debuts as Tim Drake, who many know goes on to become the third Robin. Like in the comics, Lycrugo's depiction of Tim is a pretty smart superhero fanboy (but not in an annoying way) with a drive to do good and protect his family and city. By the end, he's able to prove his potential to both the Titans and his family and I look forward to seeing where that potential grows when he inevitably suits up next season.
* Ryan Potter's Beast Boy continues to be the most optimistic character on the show, trying to keep everyone from succumbing too far into their dark thoughts and being the only one who didn't totally give up on Jason.
* Joshua Orpin's Superboy has certainly gotten more of a handle on life since the end of last season, now shown to be a well rounded person. While I initially thought he would have been more a jock to act as a foil to Gar's geekish tendencies, I was pleasantly surprised to see that having Lex Luthor's genes also makes him a genius, able to easily understand science and put together gadgets at superspeed. It gives the team a brain and brawn in one package.

Overall, season three of Titans is a flawed but adequate endeavor. There's enough old stuff and new stuff to enjoy that you can make it through some of the more problematic parts. Season two is still the best of the series to me, though that means there's still room for improvement that I hope season four will be able to reach.

Saturday, October 2, 2021

My Top Five Favorite Sideshow Bob Episodes

 


While Mr. Burns is undoubtedly the most evil character on "The Simpsons", the silver medal would definitely go to Robert "Sideshow Bob" Terwilliger (who has sinister theme music to boot). Throughout the show's run, Sideshow Bob's appearances are generally enjoyable episodes, thanks in part to the performance of his voice actor, Kelsey Grammer, who perfectly captures the eloquent psychopathy of the character. As Sideshow Bob stories tend to have higher stakes than a traditional episode (and more often than not involve him trying to kill Bart), I thought that for this Halloween, I'd share my thoughts on some of the character's best ventures. These are my top five favorite Sideshow Bob episodes (and keep in mind, there will be spoilers).

5. THE BOB NEXT DOOR (21.22)

PREMISE: Bart becomes convinced that their new neighbor is Sideshow Bob in disguise.
WHY IT MAKES THE LIST: This is a unique Sideshow Bob episode and it does a good job in making you wonder if the Simpsons' new neighbor, Walt Warren, really is Sideshow Bob and how he's pulling it off. Despite his voice being similar and Bart's attempts to prove it, seeing Sideshow Bob still locked away in prison seems to settle the matter. In the big reveal though, it turns out Walt was Bob's former cellmate and was set for early release, which prompted Bob to go all Nicolas Cage on him. Yes, this episode is inspired by the movie "Face/Off", and in turn, I think this episode may have inspired the Joker ripping his own face off in "Batman: Death of the Family". In any case, Bart not being fully convinced does lead to Bob being imprisoned again and getting his own face back; though apparently whoever grafted it back on didn't do a good job because there's a new running gag in subsequent Sideshow Bob episodes where Bob's face peels off and has to be pressed back on.

4. THE GREAT LOUSE DETECTIVE (14.6)

PREMISE: With Homer targeted for murder, Chief Wiggum recruits Sideshow Bob to help find the mystery assailant.
WHY IT MAKES THE LIST: While not the first Sideshow Bob episode where he's not featured as the main antagonist, this episode is unique in having Bob from the get-go be an ally to the Simpsons, albeit a reluctant one (he's offered his choice of role for the prison musical in exchange for his help). To keep Bob in check, he does have a collar around his leg that gives him a shock from a remote control, which makes up most of Bob's comedic moments in the episode. The really entertaining part though is the extended interaction between Homer and Bob, who tries to understand and endure the person he's charged with saving. As Bob was brought in so they could understand the mind of a killer, this does pay off with Bob putting together the clues and figuring out the killer's identity, effectively making him the hero of the episode (a rare occurrence to be sure). I won't reveal the killer's identity here, but it does tie in with another classic Simpsons episode.


3. FUNERAL FOR A FIEND
(19.8)

PREMISE: Sideshow Bob's latest scheme leads to his apparent death at Bart's hand.
WHY IT MAKES THE LIST: While the episode feels like a typical Sideshow Bob story for the first half, the second half is what really stands out to me because I feel this was intended to be the character's final episode. Though Bob's death is obviously a ruse and part of his plan, if successful, it would have been his ultimate revenge against Bart. Before faking his death, Bob had been able to flip the script at his trial by painting himself as the victim of Bart's persecution, which was easy to do given Bart's penchant as a hellraiser. The episode also features the debut of Bob's parents, the return of his brother Cecil (voiced once again by David Hyde Pierce), as well as his wife Francesca and their son Gino. The whole family is part of the plan, which a keen eye will pick up this was hinted at earlier in the episode during Bob's big return moment; as such, it's fitting the whole family is locked away together by the end of the episode. Lisa putting the pieces of the Terwilligers' plan also felt like a callback to the first two Sideshow Bob episodes. With the nature of the plan, return of past characters and callbacks to previous episodes, I feel this is the pique Sideshow Bob story and would have served as a decent farewell to the character. I kind of wish it was too as I feel that Sideshow Bob episodes since this one (with the exception of "Bob Next Door") don't have the same magic as what came before. Honestly though, it also just feels odd how Bob has seemingly abandoned his family (particularly his wife and son) since this episode, apparently due to him being unable to let go of his obsession with Bart. Being a family man really added a new layer to the character in my opinion, and I do hope a future Sideshow Bob episodes allows us to check in on Francesca and Gino.


2. BLACK WIDOWER (3.21)

PREMISE: Selma reveals that she has a new boyfriend that she met through the prison pen-pal program, Sideshow Bob.
WHY IT MAKES THE LIST: For the direct sequel to "Krusty Gets Busted", Kelsey Grammer's debut episode as Sideshow Bob, it would have been easy for the creators to do a story right away where Bob goes after Bart for putting him in jail. Having Bob's second episode subvert expectations was a genius move, showing his relationship with Selma help reform him...or so it seemed. The first two acts of the episode do a good job showing what happened to Bob since his first episode and how well he can play a good guy and win everyone over. Well, everyone except Bart who never lets go of his mistrust of the man who framed his hero. That mistrust pays off though as Bart is able to piece together Bob's deadly intentions with Selma (which also shows Bart can be a deep thinker when he applies himself). If I had a small criticism though, it's that episode's third act makes it clear Bob intends to kill Selma where I think it would have helped keep that hidden until Bart realizes it, revealing all the clues in the episode's conclusion. And for what it's worth, I think Bob did initially have real feelings for Selma, but learning how much money she has in stocks seemed more appealing to him and started to plan. Framing Krusty for years of humiliation or plotting revenge on the one who put you in prison is one thing, but planning to kill someone he apparently loved for money showed how much of a sociopath the character truly was even in his earliest appearances.

And my number one Sideshow Bob episode is...


CAPE FEARE (5.2)

PREMISE: The Simpsons enter witness protection when Sideshow Bob threatens Bart's life.
WHY IT MAKES THE LIST: For his third ever appearance where he finally goes straight for revenge on Bart, "Cape Feare" highlights everything fans love about Sideshow Bob. There are three main aspects of Bob that make him such a memorable character and they're all present in this episode. The first is his menace, which is shown prominently in his psychological torture of Bart both before and after his release from prison. But that menace is rightly balanced with his moments of comedic ineptitude. While Sideshow Bob is not to be taken lightly, it's the times where he makes a fool of himself that make him relatable and not too cartoonishly evil. Whether it's asking for a do-over after thinking of a better comeback to a comment from Marge or suffering physical abuse like being stepped on by a parade of elephants and taking multiple rake handles to the face, this episode does a good job at making you laugh at someone who's literally planning to kill a child. Aside from bringing the fears and funnies though, the aspect of Sideshow Bob that's probably most important to him is his showmanship. Not only is Kelsey Grammer a great voice actor, but he's also a great singer as the episode puts on full display in the climax. In order to buy himself time, Bart asks Sideshow Bob to sing the entire score of "HMS Pinafore" for a last request. In the snippets they show of Bob's performance, you can tell Grammer really gave it his all. In summation, "Cape Feare" is probably the perfect Sideshow Bob episode, striking the right balance of chills and laughs with an exceptional performance from Kelsey Grammer.

Friday, September 24, 2021

Retro Review: "DCeased: Dead Planet"

 


With spooky season upon us, what better time to revisit the world of "DCeased"? In this version of the DC universe gone off the rails, Earth has been ravaged by a corrupted Anti-Life Equation, creating an army of the undead known as the Anti-Living with some of the world's greatest heroes succumbing to its effects. The end of the first series saw Earth being quarantined by the Green Lantern Corps as an arc full of survivors approaches a new planet to settle on. With one world lost and a new one being built on a foundation of hope, where do the returning creative team of writer Tom Taylor and artist Trevor Hairsine take us next for the direct sequel? Let's dig in to "DCeased: Dead Planet" and find out. (If you hadn't read the first series, I'd suggest reading my review of it before proceeding any further here.)

Like the previous series, we have narration from a character reflecting on the events that transpired; for "Dead Planet", it's the sorceress Zatanna. Issue one begins with Zatanna recapping the events of the first series and how much the world lost; page one is a damn good splash page reflecting that loss by showing the New 52 founding line-up of the Justice League as each member (Superman, Batman, Wonder Woman, Flash, Aquaman, Green Lantern) succumbing to the Anti-Life Equation, or in Cyborg's case, being decapitated. Five years pass as Cyborg's head and body remain in the same spot they were left in after Wonder Woman's brutal attack. Despite that though, Cyborg is still alive (which must have been a living hell considering the circumstance) and he's finally found the tracker planted in his system by Batman. Cyborg uses the tracker to send out a morse code message, hoping to reach the refugees on the newly designated Earth-2.
We then cut across the stars to the orbit of Earth-2 as the Justice League is fending off an attacking alien ship. Jon Kent, now the new Superman, directs Green Lantern Dinah Lance and new Wonder Woman Cassie Sandsmark to disable the ship's weapons and engines without harming anyone inside. Batman (Damian Wayne) has infiltrated the ship with the intention of reaching the royal control room. In classic Super Sons fashion though, Damian is ignoring Jon's intentions of peaceful resolution by fighting off any aliens who get in his way. It's here where Tom Taylor once again shines on the character dialogue.

JON: We want peace. That will be more difficult if you take out the king's spleen and show it to him.

DAMIAN: These aliens have spleens?

JON: How should I know?

DAMIAN: You want me to find out?

As the ever arrogant Damian reaches the throne room and about to look into the spleen question on the alien king, Jon speeds in and is able to defuse the situation, promising to take him to the president of Earth-2, Lois Lane. Since the aliens are from a planet in the same solar system as Earth-2, Lois understands their concerns and alleviates the king's uneasiness. Damian is then contacted by Alfred alerting him that the briefcase left to him by Bruce is beeping. At the Hall of Justice, Damian informs the League it's Cyborg's tracker beeping "J" and "L", calling the team back to Earth. Green Arrow/Oliver Queen is uneasy and feels it could be a trap, saying the team should vote on it. It's unanimous in going to Earth but Ollie later admits to Dinah in feeling pressured with the younger heroes like Jon, Damian, and Cassie voting 'yes'.
Before the team head to Earth, we get a couple good personal moments. The first is between Jon and Lois. While Lois thinks it could be a risk, Jon boils the situation down to a friend calling for help. Lois tells him to come straight back and refers to Jon as Superman. "I'm really not comfortable with that name, mom" Jon says, to which Lois replies "Then stop earning it." It really shows Jon still doesn't feel worthy of his father's mantle yet, and when you look back at the battle in space from earlier, you notice each member of the League only refer to him as Jon. The second is between Ollie and Dinah. Dinah feels Ollie should stay behind, partly because of his own concerns but also because they've already lost enough friends. The two agree to go together and come back together.
We cut to the Justice League's ship (with Jon, Cassie, and Dinah flying outside it) arriving at the edge of the Green Lantern quarantine of Earth. They're met by Kilowag, who is on guard duty of both the Earth and the sun, which is still being absorbed by the Anti-Living Superman. Suddenly, something speeds up from the Earth and crashes through the Lantern construct shield; it's the Krypto the Superdog, who goes straight to Jon, making for what Damian calls a "good puppy reunion." While it's good to see Krypto was able to survive after all that time, I do wonder on the how and what he had to do.
The team gets down to Earth and find Cyborg's head and body. Cassie puts the lasso of truth around his head hoping it can help him speak; it works somewhat, though it's understandably hard for him to speak up since he's been a head on the ground for five years and definitely must be dehydrated. Up above, Hawkgirl spots a horde of Anti-Living approaching them. As the team prepare to move out to Poison Ivy's jungle sanctuary, Cyborg warns "Shs. Hre."
Suddenly, something blasts through the spaceship with some of the League still inside (also including Black Lightning, Thunder, Red Tornado, Firestorm and Mera). Jon is able to reach the bridge and land everyone to safety, but in the confusion, Green Arrow is attacked by the Anti-Living Wonder Woman. Despite Dinah pushing her back with a Canary Cry, Oliver quickly succumbs to the Anti-Life Equation. After receiving a mace to the face from Hawkgirl and a smackdown from a giant green hand ring construct, a rageful Dinah goes in for the kill on Wonder Woman with the Kryptonite laced sword from the last series. Cyborg tries to speak up about there being a cure, which only Jon is able to pick up thanks to his super hearing. The first issue ends as Jon tries to stop Dinah from killing Wonder Woman, only for the blade to pierce through his shoulder (which also goes through Wonder Woman's throat) as he weakly declares that there's a cure. What I like about this ending is that there's a sense of both hope and dread, with the characters learning there's a cure to the Anti-Life equation but Jon being injured takes out their best gun for the situation at hand.

Issue two begins in Chicago with Roy Harper/Arsenal on the roof of a safehouse warning the people he's protecting to get inside to the bunker when he spots a horde of Anti-Living approaching. Unfortunately though, among the Anti-Living is the superheroine Fire, who blasts Roy, burning him to death. So it seems whether it's having his daughter killed in the destruction of a city or being accidentally killed by your good friend due to bad writing, Roy Harper gets screwed in every timeline.
With the Anti-Living approaching the people Roy had been protecting, a portal opens as the team called Shadowpact arrives to help; the team is made up of leader Detective Chimp (real name Bobo), Blue Devil, Ragman, Ravager/Rose Wilson, Red Hood/Jason Todd, Zatanna, and new member John Constantine. Zatanna is able to take down Fire by using her magic to depower her midflight, causing her to splat into the side of a building. As the team fight off the zombies, Swamp Thing appears behind Constantine, wanting to talk to him about a garden. Since John is obviously busy, Swamp Thing summons vines to impale all the Anti-Living present, ending the battle with Constantine saying he should have lead with that. While Constantine assumes Swamp Thing is talking about Ivy's stronghold in Gotham, Swamp Thing reveals there is another garden in Australia. As Constantine goes into smartass mode about not wanting to go to a place that was already dangerous without zombies, Swamp Thing tells him "SHUT THE @#$% UP!" This surprises everyone present, because you know it's serious when an elemental being starts dropping F bombs. With full attention, Swamp Thing explains that while he can sense the garden in Australia and that it's in pain, he can't connect with it. John, Zatanna, Bobo, Ragman, and Blue Devil decide to go with Swamp Thing while Red Hood and Ravager take the survivors to Ivy's stronghold.
We cut to said stronghold, where it's revealed that it's been augmented with magic thanks to the Tower of Fate being transported there, giving it another layer of protection. Ivy senses something from outside approaching from above and sends Mary Marvel and Doctor Fate to intercept; the two are met by Cassie carrying the wounded Jon pleading for help. Jon is taken to get medical attention while the rest of the League arrive. This leads to a touching reunion between Damian, Jason and Cassandra Cain/Batgirl (and I really have to give props to DC for finally letting Cass be Batgirl again not just in this universe, but also sharing the role with Barbara Gordon and Stephanie Brown in the main DCU). The two are unphased by Damian being the new Batman, saying that while Bruce made a lot of mistakes, this wasn't one of them.
Dinah has brought the infected Oliver with her, encasing him in a bubble construct, which angers Ivy; she forces Dinah to taker him and herself outside, not wanting to risk everyone else's lives. While Ivy believes she's foolish for not letting him go, it's here where everyone learns that there's a cure to the Anti-Life Equation. After the initial shock realizing that everyone they had to kill, including friends and family, could have been saved, Damian and Fate stay steadfast and ensure that they will develop the cure; there's just the question of how to find it in Cyborg. Damian notices Cassie stepping away from everyone and follows her. Cassie is devastated after seeing the Anti-Living Wonder Woman being killed, feeling like she lost her mentor twice. Damian comforts her and the two share a kiss, indicating their relationship. What I like about these scenes in the sanctuary is that it shows that despite everyone's hardships, they haven't been desensitized by them. They still hold on to the positive things in life like love, family, and hope, as well as still feel regret over those lost; five years into the apocalypse hasn't even dulled Harley Quinn's sense of humor like when she initially asks if Cyborg's head was a puppet.
We then cut to a large bunker in Australia surrounded by a moat of blood and a ring of fire, which is able to keep back the legions of Anti-Living (though this doesn't stop many from trying and burning). The members of Shadowpact arrive and survey the situation. Zatanna levitates everyone to avoid the danger when Ragman notices the blood moat moving in a most peculiar way, which leads to probably the most horrific surprise between both series: the blood moat is actually the Anti-Living Plastic Man. When it comes to a zombie with stretching powers, Tom Taylor really went to a whole new level in making that idea scary; Marvel Zombies Reed Richards, eat your hear out (which he could probably actually do).
The team is attacked with Ragman and Blue Devil being impaled as the issue ends with Constantine, Zatanna, Bobo and Swamp Thing falling into Plastic Man's giant razor sharp teeth filled mouth as three figures in shadow watch through a window from the bunker.

Issue three begins showing Swamp Thing has been able to surround the group in a giant plant ball (like what Groot used to protect the other Guardians in the first movie) big enough to keep Plastic Man from eating them. After Zatanna gets her bearings, she exits the ball and casts Plastic Man into the ring of fire, burning the once comedic hero like he was the Thing (the horror movie creature, not the Marvel hero). As the fire focuses more on Plastic Man, this gives an opening for the Anti-Living surrounding the bunker to push forward to Shadowpact. Guns start firing from the bunker at the zombies with someone over the speaker telling the team this is their chance if they want to come in. It turns out the three figures at the end of issue two were Penguin, Simon Stagg, and Maxwell Lord. Zatanna's narration points out this was her realization that the bunker was "a refuge full or rich bastards". Insert your own "1%" comments here.
Back at Ivy's sanctuary, we have another touching reunion as Damian encounters Jim Gordon, and the usually closed off Damian catches the former commissioner off guard by giving him a hug; this is followed by jokes about how Bruce's true greatest fear was intimacy (which isn't exactly untrue). Doctor Fate then arrives to let Damian know that Jon has been healed; Jon is shown being looked after by Mary, the two making an instant connection.
Back at the Australian bunker, we learn more details like how the soldiers employed by the rich also reside there with families who do the cooking and cleaning, with Constantine pointing out they "found a way to keep the class system in place through an apocalypse." Again, the "1%" jokes write themselves. Constantine is then pulled aside by Jason Blood, who while one of the rich, is also the vessel to the demon Etrigan. After transforming, Etrigan informs Constantine that Trigon is preparing to lay waste to the entire Earth, as Hell has been unable to collect souls because they're trapped within the bodies of the Anti-Living (which again shows the Anti-Life Equation corrupts a person instead of outright kills). This conversation is cut short by gunfire as Swamp Thing has discovered that the bunker has been using an imprisoned Floronic Man (a plant based villain) to produce their vegetation, which is the source of pain within the green. Swamp Thing is relentless in his efforts and even pops off Maxwell Lord's head (that guy just can't keep his head on straight). However, Shadowpact has to retreat when Professor Ivo activates a number of Amazos, adaptive androids that can copy superpowers. Once the heroes are gone, it's revealed the bunker has a whole army of Amazos, which Penguin states will be used to "take the world back."
A day later, all our heroes are gathered at Ivy's sanctuary with Zatanna's narration stating that it was good to have the Justice League back on Earth after five years and that Jon as Superman instilled a real sense of hope. While Cyborg (now fully repaired) apparently has a cure to the Anti-Life equation inside him, they don't know how to get it. Between Damian and Bobo, the two detectives believe that an Anti-Life Equation implies the existence of a Life Equation and that they will need knowledge from the New Gods. This gives Constantine an idea. While it's unclear how much time passes, Constantine has Bobo use his skills to locate Scott Free (also known as Mr. Miracle). Scott has been living in isolation in a cabin in the woods after his wife Barda had been infected, and as cliche dictates from losing a loved one, he has also given up on personal hygiene. Constantine tells Scott they can save the world and Barda with his help, but Scott is unwilling to listen given Constantine's penchant for lying. Scott comes around though Constantine reveals he's been holding the lasso of truth (which he borrowed from Cassie) the whole time. Issue three ends with Constantine telling Scott to shower up and to get ready to steal "the throne of a god", implying they'll need Metron.
I would say this ends the first act of the story as all the major players have been revealed, along with the goals and antagonists in the way of achieving them. And while curing the Anti-Living is the main objective, the threats of both Trigon and the Amazo army show that evil can adapt even once judgment day has come and gone.

I'm kind of going to be speeding through issue four since while there is progression to the story, it's partly because it honestly feels a little drawn out and I'm not as familiar with the New Gods lore compared to other DC characters.
Constantine and Bobo arrive back to Ivy's sanctuary with a cleaned up Scott in tow. The heroes devise a plan to find the New God Metron so they could use his Mobius Chair to discover how to access the cure in Cyborg's body. As Metron prizes knowledge, they need to lure him with something he'd be interested in; Constantine presents Madame Xanadu's crystal ball that can see into the future, which Zatanna rightly guesses was stolen. With the ball, Scott plans to head to New Genesis alongside Cyborg, with Jon, Cassie and Mary offering to go along. Jon is also able to convince Dinah to come as well after easing her guilt over Oliver being infected and promising Fate would keep an eye on him.
Before the group head off to New Genesis via Boom Tube, there is a nice moment with Damian making Jon and Cassie promise to come back, saying he wouldn't do well without them; seeing Damian being more open than Bruce would have been in this situation kind of adds more creedence to the "fear of intimacy" joke from last issue. Cassie and Damian kiss for what appears to be a long time, which leads to a funny exchange between Kid Flash and Fate who are present.

KID FLASH: They know the fate of the world is just on hold while they're making out, right?

DR. FATE: What do you expect? When I was their age, I barely came up for air.

And so the group head to New Genesis where Scott meets up with his father...Highfather, asking him to summon Metron. Before doing so, Highfather shows Scott, Jacob, his and Barda's son; Jacob was sent to New Genesis to keep him safe, but after losing Barda, Scott felt he was unable to be the father he needed. Highfather pleads with Scott that whatever happens to come back for his son.
Scott meets up with Metron in the scattered ruins of Apokolips. After an initial skirmish between him and the other heroes, Mary is able to convince Metron to let them use the Mobius Chair on the premise that if the Anti-Life Equation spread to the rest of the universe, it would be the end of new knowledge. Cyborg uses the chair to learn that they need to recode his blood to synthesize the Life Equation. Metron, after using Xanadu's ball to see into the future, takes the chair back and speeds off in a panic; Dinah sums this up as "He just took one look at the future and ran the @#$% away." Considering Cyborg's time in the Mobius Chair also shows him "the war against existence to come", I feel this was somewhat of a tie-in to the "Dark Nights: Death Metal" event in the main DCU that was being published concurrently; and trust me, that story being about a war over existence itself is a literal description.
After the heroes Boom Tube back to Earth, we see that within a chunk of Apokolips debris, the Anti-Living Darkseid has broken free. Issue four ends with Darkseid touching down on New Genesis...and despite this being a pants crapping moment, we don't revisit this for the rest of the series.

Issue five takes place concurrently with the mission to find Metron. Constantine and Swamp Thing have a secret meeting with Etrigan, who updates them that Trigon is coming in three days. With the more righteous heroes away, Constantine asks Damian (who just had his own "good puppy reunion" with his dog Titus) to put together a team of the less than righteous ones for a plan. Damian only does so after Constantine confides in him his ultimate plan (which isn't revealed to the reader just yet). Damian basically puts together a Bat-family reunion with Red Hood, Batgirl, and Ravager, revealing that she and Jason are married. Damian congratulates the two, saying Rose fits right in with her own father issues being the daughter of Deathstroke and all.
Along with Swamp Thing, the group portal to the hidden city of Nanda Parbat to acquire the Spear of Destiny. The city has been able to keep out the Anti-Living outside it, which then turn their attention to the group of heroes. With the prospect of a cure, that means they can't just kill them. Rose asks "Can we break their bones? And put holes in them?", to which Damian replies "Oh, of course." Given that was basically Bruce's modus operandi, Rose really does fit in with the Bat-family.
The group fight their way to the main door where they are met by Deadman (who they're able to see given the magical properties of the city) and the army of monks who exit to assist. Constantine sneaks away to find the Spear of Destiny when he is confronted by Rama Kushna, the goddess who watches over Nanda Parbat and gave Deadman his power of possession. While Rama welcomes Constantine to be there, she can't allow him to take the Spear. Constantine responds by wounding her with the spear. Deadman tries to attack back only for Constantine to suck in the spirit with Ragman's cloak, which Constantine took off his body back in Australia.
While everyone in the group except Damian are shocked by Constantine's actions, there's not enough time to take it in as Constantine opens a portal to their next destination, the Rock of Eternity. It's here where they seek to acquire the staff of the wizard Shazam. As they proceed in the temple, Rose, who can sometimes have visions of the future, starts to panic and begs Constantine to get them out of there. The group are attacked by Anti-Living versions of the wizard and Freddy Freeman in his superhero form. Freddy slams Jason against the wall with enough force that it nearly breaks Jason in two. Zatanna's narration points out that while Rose can see the future, it doesn't mean she can prevent it, meaning she had to watch her husband die twice; now that's pretty a heavy thing to deal with.
While Rose throws her sword into the wizard's head, Batgirl is able to find the staff, cry out "SHAZAM!" and use her new powers to finish off Freddy. Considering Cassandra was trained since birth to be an assassin and that she retains the Shazam powers for the rest of the series, this makes "Batzam" a force to be reckoned with (I know, not a catchy name, so I'll only use that one time).
Rose cradles Jason, saying that he's not afraid of dying again, being thankful he had a second chance at life and that he had Rose in it. The two share one last kiss as Jason passes. The group portal back to Ivy's sanctuary, with everyone pissed at Constantine for how things went down; Damian even gives Constantine a punch before walking off. Issue five ends with Constantine being confronted by the Spectre, concerned that Constantine could use the magical items he's collecting could be used to end him. Constantine asks Spectre to really think about what he's planning with the items; after a moment, the two bid farewell to each other. Not exactly a necessary scene to have, but showing the spirit of vengeance giving Constantine a pass a sign he's on the right path of sorts.
While also essentially ending act two, issue five basically raises the question of if doing whatever it takes to win is worth the cost. The fallout of the mission is shown to weigh heavy on everyone except Constantine, who was willing to betray allies and has seen enough death even before the apocalypse. To reiterate a point from issue two, it shows that by comparison, many of our heroes still hold on to their ethics despite the circumstances.

Issue six begins back in Australia with Professor Ivo still finetuning the Amazo army to only target the Anti-Living, threatening to turn them on an impatient Penguin if he doesn't watch his tone with him. We quickly cut back to Ivy's sanctuary. While Cyborg has succeeded in recoding his blood, he doesn't know how to turn it into a cure. This leads to probably the best example of teamwork in the story as a telepathic link thanks to Dr. Fate is created between the best minds at hand for their expertise in respective fields: Swamp Thing for biochemistry, Poison Ivy for toxicology, Cyborg for being infused with technology of two worlds, Harley Quinn for psychology and medicine, Mary Marvel who possesses the wisdom of Solomon, Kid Flash for being the fastest mind on the planet, Detective Chimp for being the world's greatest problem solver, and Damian for, and I'm not kidding here...


(Just replace "I'm" with "he's".)
And so the cure is made but needs to be tested first, so Scott suggests using it on Barda since her New God physiology makes her the ideal candidate. Scott, along with Jon and Dinah, Boom Tube to a habitable moon near Alpha Centauri where he kept her contained. Unfortunately, Barda has broken her shackles and attacks Scott. Jon quickly injects Barda with the cure. After a slight delay, she reverts to normal and has a tearful reunion with Scott, having no memory as a zombie (which is undoubtedly a good thing for everyone infected).
Back on Earth, Zatanna confronts Constantine for the magical items he's collecting and asks what he's up to. Constantine refuses, knowing she'd just try to stop him if she knew. He only revealing he's seen the future in Xanadu's crystal ball and wants to avoid a messy fight. Phantom Stranger then arrives and much like the Spectre, tries to turn Constantine from the path he's on. The exchange gets heated, somewhat literally when Etrigan arrives and transforms into Jason Blood, who informs Constantine both of Trigon's impending arrival and the Amazo army beginning their decimation of the Anti-Living. Constantine relays the message to the heroes, meaning it's a race against time; the Anti-Living will be truly dead if they can't get the cure to them. It's a battle on two fronts, fighting off the Amazos and curing the Anti-Living. To help on the latter, Kid Flash uses his speed to read everything he can find on production and uses the knowledge to help Cybrorg manufacture the cure, with the first batch enough to cure three billion people.
But things take another turn for the worse as Trigon bursts from the ground in Paris, scorching the city in just fifteen minutes, an act sensed by the magical heroes. As we near the end of issue six, Dr. Fate is confronted by Constantine, Etrigan, and Phantom Stranger, asking for him to hand over his helmet and amulet. The Stranger wounds Fate with the Spear of Destiny, having come around to Constantine's side after seeing the future and knows what needs to be prevented. Through a combination of Ragman's cloak and the Wizard's staff, Constantine is able take what he needs from Fate. Zatanna walks in and Constantine admits "This is EXACTLY as bad as it looks." Zatanna asks Constantine if he's coming back from this, but he's coy about it as he flies off decked out with the magical items he's going to need to save the world; and I hereby coin the term "Uber-Constantine".

The seventh and final issue begins in Brisbane, Australia as the main swarm of Amazos is shown wiping out the Anti-Living. A Boom Tube opens in the sky as Cassie, Batgirl, Hawkgirl, Mary, Dinah, Barda and Scott arrive and give the Amazos a formidable challenge; despite Scott being there, I'd say this would be comparable to the 'girl power' moment in "Avengers: Endgame".
Elsewhere, Jon and Damian are approaching the bunker where the Amazos came from, hoping to take them out at the source. They are attacked by one of the androids but are able to defeat it with teamwork. The two burst into the bunker demanding Ivo. Penguin orders the guards to fire at them, but they have enough integrity not to shoot Superman. Before an angry Penguin can even get two words out, he, Stagg, and all the other rich residents of the bunker begin choking and keeling over. Above the facility, we see Constantine using Ragman's cloak to suck up all the corrupt souls there, giving him an additional power boost before facing Trigon. Constantine explains the Trigon situation to Jon, who then offers to help out, but Constantine reveals that he's seen the future and Jon wouldn't survive the encounter.

CONSTANTINE: So don't worry about it. I'll save the world. You save everyone on it.

JON: You're a good man, John Constantine.

CONSTANTINE: I'm really not. But I'm not gonna lie, it's nice to hear Superman say that.

Back in the bunker, Jon and Damian discover Ivo had been killed by Penguin after the Amazos were launched. Taking the head of the Amazo they defeated before, Damian says they'll need Cyborg's help to shut the rest down. Before leaving though, Jon thanks the guards; "It takes a hero to say no to people in power when they're wrong." The two get back to the production plant and meet up with Cyborg and Kid Flash. Damian and Cyborg work to develop a virus to take down the Amazos while Jon and Kid Flash race around the world to cure the Anti-Living.
In Paris, Trigon easily does away with Phantom Stranger and Zatanna, who had arrived before Constantine did, not knowing about his side trip to Australia. Constantine finally arrives, giving Zatanna the Spear of Destiny before going to confront Trigon. While Trigon is initially unimpressed with Constantine's confidence, it's not entirely unfounded as he's able to give Trigon a considerable whooping thanks to all the magical items at his disposal. However, Constantine's luck only goes so far as Trigon is eventually able punch him down into the ground.
As Constantine dies by Zatanna's side, it seems the tides are turning against our heroes on all fronts. The team in Brisbane begin to be overwhelmed by the Amazos with Hawkgirl having her wings ripped off and Barda getting blasted by two sets of heat vision; thankfully it's shown later she's just wounded because it would really suck she'd survive five years being a zombie only to die hours after being cured. On top of that, Kid Flash looks over another gathering of Anti-Living being wiped out by Amazos, realizing he won't be fast enough to save everyone. However, the tides turn again as Cyborg is able to send a virus through the Amazo head to all the other androids, shutting them down all over the world; Zatanna's narration points out how poetic it is that humanity was saved by both a cure and an infection.
There is still Trigon to deal with though as Jon appears before the demon, telling him to stop.

TRIGON: I have just killed a being connected to the most powerful magics in the universe. YOU are a SPECK.

JON: And this speck said STOP.

Jon then delivers a powerful blow to Trigon, surprising both him and Zatanna, believing that Superman was stronger than any destiny Constantine had seen for the son of Kal-El. Constantine, or rather his ghost, then appears next to Zatanna using the powers he stole from Deadman when he sucked him into Ragman's cloak. It turns out this had been part of Constantine's plan, as dying while being connected to all the magical items amplifies Deadman's possession powers enough to where he could take control of Trigon's body. After shrinking Trigon down to human size and taking the Spear of Destiny from Zatanna, Constantine makes the ultimate sacrifice by stabbing himself, ending the demon and his own existence.
As the issue begins to wrap up at an oddly quick pace, Kid Flash is given a reprieve by Mary, Dinah, Cassie, and Batgirl, who help disperse the rest of the cure across the Earth. We are then shown reunions, including Mera and Garth/Tempest in Atlantis, Cassie and Queen Hippolyta on Themyscira, and Jon and his grandfather back on the Kent farm in Smallville. Dinah and a cured Oliver bring the series to a close as they kiss with the sun shining brightly on the Earth for the first time in years.

In many respects, "Dead Planet" is a competent sequel to the original "DCeased" story. Tom Taylor's writing once again brings a story that sucks you in with great character moments and interactions (as my examples of the dialogue have shown) while Trevor Hairsine's art has its same highs and lows. I do think the first story is still better though for a couple reasons. For one, "Dead Planet" seems a bit stretched out compared to how to the point the original was. And while I initially thought the threats of both the Amazos and Trigon seemed to be packing too much in, I realized that the sense of urgency to quickly cure the Anti-Living would have been lost without one or the other. The second reason strangely though is that, despite that first point, is how we're not able to appreciate the victory at the end of the story. Those last moments after Trigon's defeat of the curing and reunions only take up three pages. I have many questions about the future of mankind. Is Jon able to reach his father and cure him, stopping the sun from being absorbed in the process? Does everyone on Earth-2 return to the original or does everyone just move to the new planet? Will humans just reside on both Earths and travel between them?
The way story was written seems to imply intentions for another follow-up. At the time of this writing, no sequel to "Dead Planet" has been announced. If anything, we are getting a spiritual successor from writers Matthew Rosenberg and James Tynion IV in "DC vs. Vampires" beginning next month. I do hope however that we return to the DCeased universe as there's still so much potential in it. For one, Darkseid is still on the board with the Anti-Life Equation possibly using him as an avatar to spread itself on New Genesis and possibly beyond. Hell, zombies don't even have to play a factor in revisiting this universe as the landscape of the remaining superhero community would be enough to bring me back; this is particularly because of the new generation stepping up for their fallen mentors, not just in the new trinity of Jon, Damian, and Cassie, but possible new Justice League recruits in Kid Flash and Tempest.
On that note, I have to say that Jon Kent as Superman is the true MVP of the story. Though he feels unworthy of the title in issue one, his actions throughout the story show someone his father couldn't be more proud of. He never loses his resolve to save people and just his presence on the ravaged Earth is enough to light a spark of hope the remaining living haven't had in so long.

Overall, "DCeased: Dead Planet" is still a decent story and worth a back-to-back reading with the first story.

Monday, September 6, 2021

Movie Review: Shang-Chi and the Legend of the Ten Rings - A Whole New World


 

While we've already had quite a few MCU projects released this year, "Shang-Chi and the Legend of the Ten Rings" is the first to focus on an entirely new character, something we haven't had since Captain Marvel in 2019. With that comes opportunity to get creative and explore brand new territory within the Marvel Cinematic Universe. What results is another major win for Marvel that's even more of a reason to celebrate a return to theaters than "Black Widow."

"Shang-Chi" delivers a unique visual spectacle with a surprisingly emotional core to its story. The world building is comparable to "Black Panther" as we explore the workings of the Ten Rings organization and more importantly Ta Lo, a land of mythical prestige and tight knit culture among its people. And as the MCU's answer to a martial arts film, the fight scenes are nothing short of amazing. Between the choreography and set pieces, each battle has its own feel that will make you feel the tension at hand; my personal favorites were the ones on the runaway bus and the final confrontation between father and son.

Simu Liu turns in a great performance as the lead character, Shang-Chi. As a man trained to be the ultimate warrior since childhood trying to lead a normal life, Liu captures this personal conflict well. Despite being pulled back into the dangerous world of his father, the character of Shang-Chi feels consistent for someone with a secret past. He's a good natured person who will fight for those he cares about while keeping at bay the dark traits instilled in him in his youth; I think it's something many can relate to. I also kind of see Shang-Chi as a sort of late bloomer version of T'Challa; while T'Challa had grew up in and fought for Wakanda all his life, this film shows Shang-Chi coming to his ancestral homeland of Ta Lo for the first time and having to defend it as he embraces the heritage of both his parents.

Tony Leung portrays Wenwu, Shang-Chi's father and the MCU's true version of the Mandarin (sorry Guy Pearce). While he is almost the main villain of the movie, what I like about the character's portrayal is how his goals aren't necessarily villainous. He's a man who's known war his whole life until he found peace in love and a family, but after losing that peace, he's willing to go to war to get it back; it's a very thin line Wenwu walks. And while the relationship between Shang-Chi and Wenwu adds to the MCU trope of father issues, Wenwu has some positive qualities that help differentiate him from other villainous fathers; they do go out of the way to show him as a loving parent.

Awkwafina consistently steals the show as Katy, Shang-Chi's best friend. While Awkwafina is naturally hilarious on her own as the film's main comic relief, when paired with Simu Liu, the two have great chemistry as the slacker pair of friends flung into a mythical adventure. I never get excited right away for the gag reel and outtakes on the Blu-Ray, but I can't wait to see what got left on the cutting room floor between these two. When it comes to the best friends of MCU heroes (who aren't heroes in their own right), Katy is right up there with Luis and Ned.

Overall, "Shang-Chi and the Legend of the Ten Rings" is everything we love about the Marvel Cinematic Universe with an engaging story and characters, great action, eye-popping visuals, and plenty of funny moments. It's truly a grand introduction for the first new leading hero of Phase Four.

My Marvel Cinematic Universe Film Rankings:
1/2. Avengers: Infinity War/Avengers: Endgame
3. Spider-Man: Far From Home
4. Guardians of the Galaxy Vol. 2
5. Black Panther
6. Shang-Chi and the Legend of the Ten Rings
7. Captain America: Civil War
8. Thor: Ragnarok
9. Avengers: Age of Ultron
10. Captain America: The Winter Soldier
11. The Avengers
12. Guardians of the Galaxy
13. Doctor Strange
14. Spider-Man: Homecoming
15. Ant-Man and the Wasp
16. Ant-Man
17. Captain Marvel
18. Iron Man 3
19. Thor
20. Captain America: The First Avenger
21. Iron Man
22. The Incredible Hulk
23. Black Widow
24. Iron Man 2
25. Thor: The Dark World

Sunday, August 15, 2021

Movie Review: The Suicide Squad - Gun(n)s Blazing


While it had some good elements in place, the 2016 Suicide Squad film is my least favorite entry in the DC Extended Universe. As it turns out though, the film had as much of a troubled production as "Justice League" so that's another cut that needs fighting for (keep #releasetheayercut going). For what WB wanted to be their answer to "Guardians of the Galaxy", it seemed they tried too hard to make that happen. When it came to the sequel, they were able to get that Guardians magic from the source by signing James Gunn on as director during his brief break-up from Marvel. With free reign on "The Suicide Squad", Gunn has brought his creative insanity to DC and gives what is surely one of the best and funniest films in this universe.

To be blunt, "The Suicide Squad" is everything WB wanted the first film to be while at the same time being its antithesis. The first film had a dark aesthetic that made some of the over the top elements feel out of place. Gunn's film however is able to find the right balance, popping with color like a comic book and features action that is as bloody and gory as you'd expect from a film about a clandestine supervillain team, some of whom are not shy about how demented they are. Each character feels vital to the story (for better or worse) and the CGI use for the main villain looks much more believable than before, and that's really saying something considering it's giant freaking alien starfish this time around. It really plays into the air of weirdness this film brings that's much akin to "Doom Patrol."

Something interesting is that from the beginning of the film, they make it clear that Task Force X has been at work even after the events of the first film with rotating members. There's even secret dead pools between those who work at the command center. And on that note, one of the taglines for the movie was "Don't get too attached." That is definitely accurate and is part of the film's way of subverting expectations. You know some characters are going to die, but you shouldn't base your guess on the popularity of a character or an actor. There will definitely be moments where you'll be like Randy Marsh on Black Friday.


Like the first movie, I do have some analysis on a few characters.
* Viola Davis' return as Amanda Waller is a reminder of just how scary her character can be. While not technically a villain, it's not hyperbole to say she is the most evil character in the film.
* I really enjoy Joel Kinnaman's portrayal as Rick Flag this time around, coming off more as a natural and likable character. Development wise, I think he's learned a lot from the first time in terms of trust and respect towards those on the Squad; he's even willing to put the mission on the line to save Harley. Speaking of which...
* What else can be said about Margot Robbie as Harley Quinn? She once again turns in a funny and badass performance. At this point, Harley is shown to be much more independent, having finally let go of her relationship with the Joker. Despite her peace of mind though, there are two pretty awesome moments in the film that show just how damaged and deadly she truly is.
* Idris Elba brings his A-game as Bloodsport, who is essentially our lead character of the film. Reportedly, Elba was originally set to replace Will Smith as Deadshot due to Smith's unavailability but was later swapped out for Bloodsport in the event Smith was able to return for a future film. With that in mind, throw in a few rewrites and it's very easy to see Deadshot fitting in this film. Putting that aside though, Bloodsport is a pretty good character. I like how he acts as a father figure to Ratcatcher (played by Daniela Melchior) and his rivalry with Peacemaker (played by John Cena). In regards to the latter, it's really interesting how similar they are in terms of their proficiency at killing but their motivations are completely different. Bloodsport is a mercenary who kills for the money while Peacemaker does it out of enjoyment and a warped sense of freedom; I really got a sense the comparisons between the two is commentary on race and privilege.
* King Shark (voiced by Sylvester Stallone) is kind of like Groot, but with a slightly higher vocabulary and much more carnivorous.
* As a Doctor Who fan, I really enjoyed seeing Peter Capaldi as the Thinker. Much like David Tenant as Kilgrave in "Jessica Jones", there's something quite fun about seeing a former Doctor bringing their flare to a more villainous role; though to be honest, it was very believable to see Capaldi break bad by comparison.

Overall, "The Suicide Squad" is freaking awesome and freaking nuts with fun characters and fun action. It's both a case for how much a project can benefit when an artist is allowed to create without interference and a prime example of a film worth going back safely to the theater for.

Friday, August 13, 2021

Movie Review: "Batman: The Long Halloween" - Seasons Bleedings

 


Since its publication between 1996-97, "The Long Halloween" by Jeph Loeb and Tim Sale has been regarded as one of the best Batman stories of all time and its influence can be seen in adaptations of the character, including Christopher Nolan's Dark Knight trilogy. While it took awhile to get there, the story was a prime candidate for DC's animated film line and much like "The Dark Knight Returns", it got the two-part treatment. Nearly 25 years after the original, the film adaptation is able to capture what makes "The Long Halloween" so great and still relevant to the Batman mythos.

While the film adaptation takes quite a few liberties, it doesn't really hurt or distract from the original in any way that can disappoint those familiar with the story. It's able to tell its own story while still capturing the tone of the original and being respectful to it. At a nearly three hour runtime, my eyes were glued to the screen the whole movie, not feeling bored or wanting to check my phone at all. With the heart of its story being a gangland murder mystery, the film was able to create a dark and gritty tone (thanks in part to the score or in some scenes lack thereof) as the hunt for Holiday goes on.

The art style doesn't directly lift from Tim Sale's illustrations, but there are times where it does its best to homage it. Much like the original story though, the art is able to capture a mostly timeless feel. It actually reminds me a lot of "Batman: The Animated Series", especially with its use of traditional mob bosses and gangsters, something I don't think an animated Batman adaptation has done since then.
As for the animation, well, this is something I've wanted to address for awhile now. "The Long Halloween" film is set in the unofficial rebooted DC Animated Movie Universe that began with "Superman: Man of Tomorrow" and "Justice Society: World War II" and shares the same look as those films. I haven't watched those films because because their look just didn't appeal to me. It reminds me a lot of Venture Bros.; while that's not necessarily a bad thing, it's a style for DC that comes off as cheaper compared to their previous animated works.
That being said, when the animation works, it works. The action scenes flow really well and you can be enthralled in the characters' conversations that you don't care how it looks. But there are still moments I noticed where it feels like they cut some corners. I'll admit I'm more inclined now to check out those aforementioned Superman and Justice Society films despite my initial feelings.
I also give the film bonus points for the Scarecrow fear gas scenes as they create a nightmarish style different from the rest of the film.

The voice cast is absolutely stellar. Veteran Batman voice actors return like Alastair Duncan as Alfred and Troy Baker as Joker while Jensen Ackles gets a promotion from Red Hood to the Dark Knight himself. For his first time out, Jensen settles comfortably into the role, being able to switch seamlessly between Bruce's voice and Batman's. And as a rookie Batman still rough around the edges, Ackles is able to capture the wariness in the character's voice as he tries to become a better crusader. As the DCAMU's new Batman, I really look forward to Ackles' future appearances as the character.
With an abundant cast of characters also lead by Josh Duhamel as Harvey Dent and the late Naya Rivera as Catwoman, there's not one voice actor who sounds out of place. Well, there is one exception in Zach Callison as an eight year old Bruce. While Callison is a talented actor and only has a few lines, his performance makes it sound like Bruce went through really early puberty; I guess he can't hold on to that young Steven Universe voice forever.

Overall, "Batman: The Long Halloween" delivers another entry into the Batman animated film hall of fame. I can't recommend it enough and I have my fingers crossed that the story's sequel, "Dark Victory", is also on the table for an adaptation.

Thursday, July 22, 2021

Movie Review: Black Widow - I, Spy

 


As one of the original six Avengers in the Marvel Cinematic Universe, Scarlett Johansson's portrayal of Natasha Romanoff/Black Widow has consistently been a great part of each film she's appeared in over the last decade. From her sultry appearance, complex background, ass-kicking skills, and deep connections made with her teammates, Johansson has been able to capture all these aspects of Natasha. It's a shame that corporate politics kept her from getting her own solo film for so long, especially after the fact that the character sacrificed herself in "Endgame". After so much waiting though, the highly demanded and anticipated film is able to deliver a serviceable solo adventure and return to theaters for Marvel.

Set directly after "Civil War", Natasha is on the run for her actions during that film and soon finds herself drawn into a conflict that forces her to face family and enemies from her past. For what's meant to be Scarlett's swan song as the character, the film allows us to dive deeper into Natasha's past (good parts and bad) and see what made her the person we're familiar with, as well as feature some call backs to some of her best moments from previous films. I could also see how Nat needed to go through the events of this film in order to build up a spark of hope that she'd hold on to later on in "Infinity War" and "Endgame."

Probably the best aspect of the film is Natasha reuniting with the undercover Russian family she was part of as a kid.
Yelena Belova (played by Florence Pugh) acted as Nat's younger sister and went through the same Red Room training, unable to get out until the events of this film. While two decades had gone by since they last saw each other, the sisterly bond between them is clearly alive despite their misgivings surrounding the circumstances of before. They really do act like grown siblings with each other, with Nat still looking out and wanting the best for her while Yelena has a more bitter sweet attitude; she admires her "sister" but still likes to make fun of her tendencies, though there seems to be a sense of resentment considering Natasha's world famous status as a hero despite where they both came from. What I really like about Pugh's performance is a sense of innocence she's able to convey (especially in her eyes); as she was the youngest of the family unit, her time with them meant a lot more to her emotionally and stayed with her into adulthood. I really look forward to where the future takes her as the MCU establishes the next legacy character.
Alexei Shostakov (played by David Harbour) acted as Nat and Yelena's father and was Russia's only successful super soldier, going under the name "Red Guardian". This character reminds me a lot of Mr. Incredible in the first Incredibles film; he's someone who clings heavily to his past glory days and has to realize the significance of having a family. You can see he cares and has a sense of pride in his girls, but it's for the wrong reasons at first as he struggles to develop a true fatherly love.
Melina Vostokoff (played by Rachel Weisz) was the wife/mother of the unit, and while she does seem to have a strong bond with everyone and there were some good moments between characters, she didn't really stand out to me compared to Yelena and Alexei. If I can give the character anything, it's that I enjoyed the flirting between her and Alexei, hinting that their relationship did run deeper than a front.

While not our main villain and a little different from the comics (which we should expect from MCU versions at this point), I really did like the use of Taskmaster in the film. For a character that mimics others, they did a good job in how the character moved where you can clearly see the parallels to Captain America, Black Panther, Hawkeye, etc. When not fighting, the way Taskmaster acts is pretty creepy. Relentless on the mission and silent aside from breathing, it really reminds me of a combination Darth Vader and the Terminator. The character made for some entertaining fight scenes, even though the free fall scene in the film's climax could have took things a lot further, but it could have ran the risk of being too outrageous even for Marvel.

Though the film can be considered Marvel's version of a spy thriller, I see some elements of "Winter Soldier" and "Captain Marvel" on display here. Unfortunately, this is where I feel the film falters in my opinion. Unlike "Winter Solider", the twists "Black Widow" tries to deliver didn't really seem to have the impact they were hoping for on me. I kind of chalk this up to our main villain, Dreykov, not being that interesting. We already know he's bad and he's pretty much a stereotypical Russian villain; it felt like a poor attempt at trying to duplicate Robert Redford as Alexander Pierce. And while there is a feminist message, I honestly feel "Captain Marvel" did it better. They do do it in different ways with Captain Marvel being about "don't underestimate women" and Black Widow being "don't allow yourself to be subservient"; both are good lessons, but the message in "Captain Marvel" directly tied to Carol's arc while Natasha had long established herself as an independent person who already escaped her bonds.

While not one of Marvel's strongest, though certainly not their weakest, "Black Widow" nonetheless still delivers a film worthy of the character and should satisfy those who waited so long for it to happen, bringing with it a unique family dynamic and entertaining action. For Marvel's first theatrical release in two years, their return entry is surely a welcome one.

Friday, July 16, 2021

TV Review: Loki - Glorious Promise

 


Since his debut in 2011, Tom Hiddleston has consistently stolen the show and our hearts as the god of mischief, Loki. His role as a villain and path of redemption made for one of the best character arcs in the Marvel Cinematic Universe until the end with his (final) death at the hand of Thanos in "Infinity War." But it seems not even death can keep Loki down. Thanks to the Avengers' time travel shenanigans in "Endgame", a version of Loki from after the battle of New York had escaped imprisonment, leading into his very own Disney+ series. And of the three Disney+ Marvel series so far, "Loki" may have the biggest impact on the future of MCU yet.

Despite his escape from the Avengers, Loki is quickly picked up by the Time Variance Authority (TVA) for his deviation from the set course of events in the "sacred timeline". It's at the TVA we learn more about the rules of time travel and the prospects of a multiverse in the MCU; while I still have questions about how certain things work (even more so from what was already established in "Endgame), they still do a good job explaining the main concept. While most variants are quickly erased, this Loki is kept around to help capture another variant of himself that is eluding capture from the TVA; you could see this idea as a mix of "Quantum Leap" and "Silence of the Lambs."
Tom Hiddleston delivers probably his most engaging performance as Loki yet. First and foremost, how he adapts to his new surroundings is really fun. He's truly a fish out of water, being treated like a true prisoner with few comforts and dressing in traditional workplace clothes as opposed to the fancy threads we're accustomed to seeing him in. The best parts though are when he needs to come to terms with the destiny that was originally laid out for him and realizing what he truly wants out of life. It shows that despite his villainous nature and his past deeds, there is something of a hero buried deep down, perhaps even more so in this version than his "sacred" counterpart.
There are more Lokis besides Hiddleston's "sacred variant" though, as we go full "Into the Spider-Verse" with different versions of the character portrayed by different actors. Sophia Di Martino, Richard E. Grant, and Jack Veal are just a few bringing their own spin to the character while also portraying versions comic fans are familiar with. It's really entertaining watching the different versions play off of each other, with the relationship between Hiddleston's and Di Martino's one to root for.

Something to really think about in the series is how Loki's deceptive nature permeates throughout the whole series and with almost every character. Loki appears to want to help the TVA but he of course has his own goals in mind, but the way Hiddleston plays it makes you really think Loki could be genuine in the former. This spreads to the other Loki variants as well as those within the TVA. Just when you're feeling one way about a character, something happens that flips that switch. The only character Loki and the viewer can really trust is Agent Mobius, which isn't hard given the wholesome performance of Owen Wilson.
Where "Loki" lacks in action (though what action it does include is quite decent), the series at its core is more philosophical. With questions surrounding ideas such as free will, destiny, and morality, the series will give you a lot to think about. 

Of course the biggest thing to come out of this series is the official establishment of the multiverse in the MCU, both past and future. The first episode states that wars between worlds in the multiverse were constant until everything was folded into one timeline, with the TVA charged with keeping any branches from forming. From the outside, the idea of alternate timelines is exciting, especially since it's a common trope in comics and general audiences have seen the concept through "Spider-Verse" and DC's Arrowverse; keeping everything to one timeline can seem boring. However, there is a well crafted sense of dread in the final episode as the new multiverse begins to take shape; the way the single straight line of the timestream begins to branch out in various directions make it seem like reality itself is cracking. Despite the excitement of what's to come, it comes across like a real "Oh shit" moment.
Because of this though, we can see how the events of "Loki" will reverberate not only when the series returns for its announced second season (whenever that may be), but throughout the MCU as a whole. The "What If..." animated series and "Doctor Strange in the Multiverse of Madness" are prime examples, but "Spider-Man: No Way Home" will take it one step further by most likely giving us an idea of how Sony's partnership with Marvel will lead to crossovers with their their own Spidey related films both past and future. Beyond what we already know is coming, the finale firmly establishes who our next Thanos-level villain for the MCU will be and it's my speculation things will culminate with a film based on Jonathan Hickman's "Secret Wars" event from 2015.

In conclusion, "Loki" brings complex new layers to the MCU with a promise of infinite possibilities. It's creative and thought provoking with a talented cast whose chemistry together play a part in turning out exceptional performances. The combination of concept and execution certainly make this series essential viewing for Marvel fans.