Sunday, May 31, 2026

Hush 2: Pointless and Frustrating

 


I had intended this to be a regular review of the storyline, but as the title of the post indicates, it's not worth the effort.
"Hush 2" (stupidly stylized as "H2SH") saw the creative team of writer Jeph Loeb and artist Jim Lee reunite for the sequel to their original 2002-03 Batman story. This is despite the fact the character of Hush had been a recurring villain as recent as the end of Peter Tomasi's last run on Detective Comics in 2020. And if any story was worth being a true follow-up, it would be Paul Dini's "Heart of Hush" from 2008. Regardless, the "Hush 2" we did get has been poorly received and met with numerous delays. It's basically "All Star Batman and Robin" all over again, which Lee also worked on with another acclaimed Batman writer past his prime, Frank Miller.

"Hush 2" was meant to run from March 2025 to August 2025 to conclude that current volume of the main Batman book before it was relaunched in September with Matt Fraction taking over as the writer. Yes, ending and immediately restarting a book with a new issue one is still a frustrating practice of the big two, but I give DC credit that they're more restrained compared to Marvel in recent years. To mark the occasion, we would see Bruce don an updated batsuit (with Tim and Damian getting new Robin suits too) which would also appear in the rest of the Bat-books and the broader DC universe. Couple that with the fact that variant covers of the final and first issues of their respective volumes were meant to connect, this implied "Hush 2" would have major ramifications.



As I mentioned though, delays started to occur with the release schedule of "Hush 2". Now normally, if a book was behind schedule, particularly one with line-wide implications, it would in turn delay what's meant to come in the aftermath. I don't know if reviews had played a factor, but when September came around, DC went as scheduled with Matt Fraction's new Batman #1 despite the fact "Hush 2" only reached part four of its six issue run. By the time part six finally arrived this May, Fraction's run had reached issue nine.

Fraction's run and the other Batbooks by September were meant to take place after "Hush 2". Throw in the fact that none of those books have made any reference to that story and it begs the question of what the point of it even is. DC obviously didn't even care enough to make sure it was finished before moving on to what came after. If it weren't for completionists like myself, especially since it was part of the main Batman book, many more would have dropped this story without a second thought.

But here's the real kicker. After fourteen months to get these six issues out, the story STILL isn't over! Part six not only has no plot resolutions but ends on a cliffhanger with a tease for "H2SH 2", which read out loud would be "Hush 2 2" (do you see what I mean now with that stylization?). Despite the plan to lead into Fraction's run, this was apparently always meant to be a twelve-issue story like the original. Artist Jim Lee has said the second half will be its own miniseries and will have a consistent release schedule once everything's completed. But again, what is the point? Considering the time it took for the first half to come out, who knows how long it will take for the second and how far ahead the Batman books will be when its finished? And I don't see many readers eagerly waiting for it considering how the story's gone so far. This is why I'm not giving "Hush 2" a full review. I can't take waiting on a story that so far has been nonsensical and ultimately doesn't matter. Though if it's anything like "All Star", I would be surprised if a promised continuation to wrap up the story actually materializes.

However, there is one plot point of "Hush 2" that warrants discussion. A plot point I've been boiling over for about a year that I am not letting off the hook just because I'm not giving the story full attention.
In one of the many inversions of the original "Hush", Hush leaves the Joker for dead with Batman being the only one who can save him, as opposed to nearly killing him like before. And apparently, this pisses off the entire Bat-family who act like this is the worst thing Bruce has ever done. By the way, all the Bat-books post "Hush 2" show everyone on good terms so again, no point. So what is the reason Batman would save the Joker? Simple: because he's Batman.
Despite not being part of his inception and the movies playing fast and loose with it, Batman's no-kill rule is a fundamental part of the character. Now people point out he'll do everything to criminals just short of killing, the exaggerated takedowns from the Arkham games being a prime example. That's not to say Bruce won't lose his composure if pushed too far; it's part of the humanity that makes the character relatable. But as much as he was born from violence, Batman was also born from compassion. Bruce's crusade is about preventing anyone from suffering a loss like him due to crime and that those who would commit those crimes have justice served against them. That's part of why he deals with the revolving doors of Blackgate and Arkham; despite all evidence to the contrary, he hopes to all hell that his enemies, even someone like the Joker, can find repentance. As for letting someone die from something you weren't responsible for, that doesn't matter to Bruce. In his mind, the blood would be just as much on his hands.
There's a flashback scene from the first issue of Tom Taylor's current Detective Comics run where Bruce's father Thomas performed surgery on a man (who we learn would turn out to be Joe Chill) after a car accident despite seeing evidence he was physically abusive to his pregnant girlfriend. Some of Thomas' colleagues and his wife question his decision to save him. A young Bruce overhears the conversation between his parents and is also curious about his father's actions. Thomas responds "We don't know how a life will be lived. We don't know it's value. And if we can save a life, and we don't, what would that make us? You save the life, Bruce. No matter what." As a doctor, Thomas took the Hippocratic oath. Bruce lives by that in his own way. It's something he's also passed down to Dick. In another flashback scene from Taylor in his prior run on Nightwing, a young Dick gets heated during a training session with Bruce, who needs to bring him back down. He tells his ward that they don't know the circumstances that brought someone to crime and that their job is to stop criminals, not punish them; "We can't hurt people because our parents died."

Above everything else wrong with it, I think that's the main reason I reject "Hush 2". In any other story, Bruce's friends and family would understand without question why he would save the Joker's life. He's even done it before like in 2001's "Last Laugh" event where Bruce had to resuscitate the Joker after Dick beat him to death believing he had Tim killed (though if anything it was about keeping blood off Dick's hands). Or even in the original "Hush" where Bruce nearly took it himself, Gordon appeared to talk him down. Considering the Joker crippled his daughter in "The Killing Joke" and killed his wife at the end of "No Man's Land", Gordon would have every right to want the Joker dead but didn't want to see Batman cross the line. Like many superheroes, Batman is supposed to represent the best of humanity and stir that goodness in others, fictional or otherwise. In these days where it's a fight to keep that belief alive, we need stories and symbols that remind us of that.

Saturday, May 30, 2026

TV Review: Spider-Noir - Uncaged


If you're familiar with my blog, you'd know I'm a big fan of Spider-Man Noir, having covered the character's original story and its sequel. So you can imagine my level excitement when a live-action series was announced. But given Sony's recent track record of live-action Spider-Man properties outside the MCU, there was also legitimate concern. But it was getting a touch from the "Spider-Verse" films with Phil Lord and Christopher Miller producing and Nicolas Cage jumping mediums to play the character (albeit a different version using the Ben Reilly name and his alias simply "The Spider") so there was hope to be had. I thought if anything, Cage's involvement guaranteed some entertainment either way. Thankfully the final product swung (pun intended) in the right direction.

Since the character's appearance in "Into the Spider-Verse", creators in the comics have leaned somewhat into that private investigator depiction though not as exaggerated. "Spider-Noir" continues that trend while trying to keep it as gritty and grounded as the original comics. That being said, the show isn't shy about having superpowered villains for the Spider to face, including Sandman (Jack Huston), Tombstone (Abraham Popoola), and lesser-known villain Megawatt; I guess they couldn't use Electro, but in any case, Andrew Lewis Caldwell steals the show whenever he's on screen. The interesting part though is that superpowers can be seen as a metaphor for PTSD for soldiers (in this case post-World War I), just one of many themes explored in the series in addition to political corruption and gatekeeping.

Since the series does its own thing compared to the comics, the best way to describe it is that we take the Spider-Man mythos and filter it through the lens of classic film noir. The experience is greatly enhanced in the black and white setting (especially with the classic horror aspects of episode 6); I may still watch the colorized version since it's supposed to be as vibrant as the films of the time, but it felt right to lean into the noir of Spider-Noir. Many of the characters represent the tropes one would see in a noir film. You have the grizzled detective with a tortured past in Ben, the femme fatale in Cat Hardy (Li Jun Li), the sassy secretary in Janet (Karen Rodriguez), the crime boss with an iron grip on the city in Silvermane (Brendan Gleeson), the reporter best friend in Robbie Robertston (Lamorne Morris), and the streetwise kid in Frankie (Cary Christopher, another show stealer).

While much of the cast is entertaining, this is of course Nicolas Cage's show. As the Spider, he brings his own style of quippage one would expect from the web-slinger. Mix that with the personal flair Cage is known to bring to his performances and there's no shortage of fun to be had. I also enjoyed his chemistry with Li Jun Li's Cat Hardy. Along with the "will they/won't they" plotline, their banter is right at home in the film noir setting.

The suit is absolutely perfect. Though if I had to nitpick, I feel they could have gotten a better stuntman to match Cage's body. Like, I don't expect Cage to do the big action scenes (though lord knows he could try), my suspension of disbelief is hard to maintain when it feels like someone other than Ben is in the suit, entertaining as they are.

Overall, "Spider-Noir" is a bet that paid off. Cage leads a well-rounded cast in a series meant to throw back to a classic era of cinema mixed with the modern aspects of the superhero genre.

Thursday, May 7, 2026

TV Review: "Daredevil: Born Again" Season 2

 


As good as the first season was, "Daredevil: Born Again" kicks things into higher gear with its second season. While most of last season was about establishing characters old and new and sounding the drums of war, Murdock and Fisk escalate their feud into a battle for the soul of New York City with a constant back and forth. Along with "Superman", I believe "Born Again" is the most relevant superhero project from the big two of the last couple of years as the revival series continues to hold up a mirror to society in terms of the power of the government and of the people.

If there's a theme to this season, it's anger. With Matt, his fighting style has reached new heights of brutality akin to Batfleck (which is fitting given Frank Miller's influence on both characters). Daredevil has become a symbol of resistance and embodies the growing anger of the people of New York toward Fisk, who himself becomes more dangerous than ever in the second half of the season. The struggle against a blatantly corrupt politician and a system building around it continues to reflect our world. But while last season could relate to people's fears about how bad things would get, season two's release comes at a time where we're indeed seeing how bad things are getting and are just as pissed as the people in the show. But the important thing Matt and the show conveys is not to let that anger poison you as well. While it's hard not to root for Bullseye as he's dealing with AVTF troops in his own deadly fashion, there's still a need to believe the world can change for the better because of the best that people have to offer. And isn't that the idea of superheroes like Daredevil? Despite being fictional, they offer hope in people during the darkest of times.

I'd consider episode five, "The Grand Design", to be the best of the season. Part of it involves flashbacks to just before the original Netflix series and they do a good job recapturing the gritty feel of it, even down to the framerate. It also allows Elden Henson to return as Foggy and I swear the man doesn't age. The episode is also a highlight for Vincent D'Onofrio as he portrays Fisk at his most emotional, even dropping the gruff voice the character's known for.

Matthew Lillard joins the cast as the mysterious Mr. Charles from the CIA. Not much is known about him other than he works with Fisk as a middleman for Valentina Allegra De Fontain and another of her shady operations. Charles has a similar charisma as Val and it makes me think that if Val is the Fury to the Thunderbolts*, then Charles could be seen as her Coulson (and by extension, Mel is her Hill). It'll be interesting to see where Charles may appear next in the MCU.

After seven years, Krysten Ritter makes her grand return as Jessica Jones, aiding Matt in the war against Fisk during the second half of the season. Without spoiling much, there's a new maturity present in Jess compared to when we last saw her, but she still has that edginess that made fans fall in love with her character. There's more to dig into what's happened since the end of not just her series but the other two Netflix heroes yet to be touched upon, but this season just gives us a taste before we get the full Defenders reunion next year.

Between eleven years and now five total seasons, Daredevil fans should continue to expect to be eating good as "Born Again" wraps its initial story and sets up a new status quo for the next season.